Artworks from the category Paintings as gifts

“Grey Composition” (2024) by Roman Goss is an abstract oil painting on canvas dominated by a muted grey-blue background. Bright accents of yellow, white, black, brown and light green appear in bold, textured colour blocks, creating a layered, almost architectural composition.

“Composition 17” (2024) by Roman Goss is an abstract oil painting on canvas built from horizontal and vertical colour blocks. A warm, earthy palette of browns, beiges, yellows, whites and light greens, combined with rich texture, creates a strong sense of depth, light and structure.

“Vox” (2024) by Roman Goss is an oil painting on canvas that contrasts warm reds and browns with cool, light green colour fields. Rhythmic geometric forms and rich texture create a sense of dynamic struggle between light and shadow.

“Miracle” (2024) by Roman Goss is an oil painting on canvas depicting a semi-abstract landscape. Layered colours, rich texture and muted blue tones create a calm, almost meditative space where the play of light and shadow is central.

“Lux 7707” (2023) by Rafał Wieczorek is a hand-painted abstract acrylic on canvas from the Lux series. Shades of platinum grey create a minimalist study of light, perfect for contemporary living rooms, offices and elegant professional interiors.

“Lux 8813” (2018) by Rafał Wieczorek is a hand-painted abstract acrylic on canvas from the Lux series. Dominant yellow-gold tones create a refined study of light, perfect for contemporary interiors such as a living room, office or elegant practice.

“Lux 0171” (2017) by Rafał Wieczorek is an abstract acrylic painting on canvas from the Lux series, dedicated to the theme of light. The minimalist composition in yellow tones brings a refined accent to contemporary interiors such as a living room, office or practice.

“Organ Concert” (2022) by Rafał Labijak, oil on relief ground (HDF board), 100 × 100 cm. Layered texture orchestrates light and shadow like an organ performance. Exhibited and reproduced in the catalogue “Sztuka kochania…”.

“A Plea to the Moon” (2023) – monotype by Rafał Labijak, oil on cardboard, 57 × 76 cm. An emotional sketch used as a compositional base for later paintings; reproduced in the catalogue “Sztuka kochania…”.

“Fatum” (1999) by Przemysław Tyszkiewicz. Monochrome etching, 50 × 50 cm (square). A nude female figure set within a surreal landscape of hybrid creatures and flora; sun/circular border evokes fate and life’s cycles.

“Seven of My Ribs” (2011) by Przemysław Tyszkiewicz. Monochrome etching, 50 × 50 cm (square). A enthroned male figure encircled by mythic creatures (birds, fish) and flora; star-like layout, deep chiaroscuro, layered symbolism.

“A Wild Sip of Primeval Tea” (2014) by Przemysław Tyszkiewicz. Etching & aquatint on copper, 94 × 67 cm (landscape). A canopy of levitating mushrooms—some bearing architectural motifs (pagoda)—with wild dogs/wolves roaming below; refined chiaroscuro and dreamlike symbolism.

“Meteorology of Accidental Hallucinations” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A meticulously rendered truck beneath a canopy of levitating mushrooms; refined linework, deep chiaroscuro and layered symbolism.

“Statics of the Depths” (2004) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A sofa suspended in darkness, a hovering hummingbird, and twisting tower-like columns—refined chiaroscuro, precise line and dreamlike symbolism.

“At Dawn the Black Ocean Bloomed” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A dreamlike dawn tableau: glowing flowers, a ship entwined with vegetation, a dragon and a bridge/fortress silhouette; refined chiaroscuro and layered symbolism.

“Flowers of the Night” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). Three glowing blossoms under a crescent moon; exquisite chiaroscuro, meticulous detail and dreamlike symbolism.

“Cornflower Moon of the Frost Fields” (2011) by Przemysław Tyszkiewicz. Etching & aquatint, 94 × 67 cm (landscape). A oneiric scene with a winged pig, levitating animals and a monumental bull; exquisite chiaroscuro and layered symbolism.

“Heart of Wrocław” (2016) by Przemysław Tyszkiewicz. Etching & aquatint, 49 × 60 cm (portrait). A monochrome anatomical heart filled with Wrocław’s architecture; exquisite chiaroscuro and meticulous line work evoke a dreamlike city-portrait.

“Moon Garden” (2020) by Przemysław Tyszkiewicz. Etching & aquatint, 40 × 53 cm (portrait). An oneiric scene where hyper-detailed roses emerge from darkness; symbolism and chiaroscuro shape a quiet unease.

“Lake Płaskie” (2024) by Piotr Trusik. Oil on canvas, 21 × 30 cm (portrait). An intimate painterly note of nature from the Jerzwałd Plein Air 2024—holding light, water and time in a fleeting study.

“Keepsake” (2024) by Piotr Trusik. Oil on panel, 30.5 × 21 cm (landscape). A fleeting painterly note of nature from the Jerzwałd Plein Air 2024 — an attempt to hold light, time and the memory of seeing.

“Events” (2024) by Piotr Trusik. Oil on canvas, 30 × 40 cm (portrait). A painterly meditation on women’s freedom and bodily autonomy; dense, alien matter contrasts with a tender gaze to shape an ambiguous narrative.

“Found 2” (2024) by Piotr Trusik. Oil on canvas, 34.5 × 40.5 cm (portrait). A fleeting painterly note of nature from the Jerzwałd Plein Air 2024 — on the ephemerality of looking and the memory of place.

“Found 1” (2024) by Piotr Trusik. Oil on canvas, 30 × 24 cm (landscape). A fleeting painterly note of nature from Jerzwałd Plein Air 2024 — on the ephemerality of looking and the memory of place.

“Between 4” (2024) by Piotr Trusik. Oil on canvas, artist’s technique, 145 × 115 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Between 3” (2024) by Piotr Trusik. Oil on canvas, artist’s technique, 145 × 115 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Between 2” (2024) by Piotr Trusik. Oil on canvas, 40 × 34 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Between 1” (2024) by Piotr Trusik. Oil on canvas, 35 × 35 cm. A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion.

“Hypnos” (2022) from the Myths & Legends series by Piotr Piecko. Mixed media (oil, acrylic, gold leaf) on canvas, 80 × 100 cm (landscape). A contemporary portrait of Hypnos, the Greek god of sleep. Signed LR; American Box frame.

“Aphrodite” (2022) from the Myths & Legends series by Piotr Piecko. Mixed media (oil, acrylic, gold leaf) on canvas, 150 × 100 cm. A contemporary portrait of the goddess of love and beauty, with luminous gold accents. Signed LR (Polish: LL on the front).

“Icarus” (2023) from the Myths & Legends series by Piotr Piecko. Mixed media (acrylic, gold leaf) on canvas, 115 × 75 cm. A contemporary take on the Icarus myth—solar radiance in gold leaf set against the drama of hubris and fall. Signed LR; American Box frame.

“Apollo” (2023) from the Myths & Legends series by Piotr Piecko. Mixed media (acrylic, gold leaf) on canvas, 100 × 70 cm. A contemporary portrait of Apollo—god of light, arts and poetry—merging classical iconography with modern materiality. Signed LR; American Box frame.

“Awakening” (2022) by Piotr Horodyński. Oil on canvas, 100 × 120 cm. A surreal / magical-realist composition with a central female figure and symbolic forms; created for the exhibition “WOMAN – in memory of Anna Bilińska” (Jacek Malczewski Museum, Radom, 2022).

“Towards Freedom” (2015) by Piotr Horodyński. Oil on canvas, 100 × 92 cm. A surreal / magical-realist narrative about choice, motion and renewal; muted palette, nuanced chiaroscuro, contemplative tone.

“Awaiting” (2022) by Piotr Horodyński. Oil on canvas, 100 × 81 cm. Surreal-fantastical scene of ruins as traces of time and light as a promise of renewal; contemplative mood, nuanced chiaroscuro.

“SILENCE IS POETRY” (2022) by Piotr Horodyński. Oil on canvas, 100 × 120 cm. A surreal / magical-realist scene where a chess game becomes a metaphor for life choices; nuanced chiaroscuro and restrained cool palette invite contemplation.

“Vastness of Silence” (2025) by Piotr Horodyński. Oil on canvas, 61 × 50 cm. A fantastical, surreal atmosphere in muted blues and navies evoking ice, arctic space and an evening sky; intimate, contemplative mood.

“2nd Avenue” (2019) by Paulina Taranek. Acrylic & oil on canvas, 100 × 80 cm. A black-and-white cityscape on the edge of figuration and abstraction; linear rhythm and stark contrast evoke metropolitan motion. Signed “P.Taranek” (LR) + full name on verso (LR).

“1rst Avenue” (2019) by Paulina Taranek. Acrylic on canvas, 80 × 60 cm. Black-and-white cityscape: a boulevard between skyscrapers rendered with minimalist lines and textures. Signed “P.Taranek” (LR) + full name on verso (LR).

“Uwaga, to nie chmury” (2021) by Paulina Taranek. Acrylic on canvas, 100 × 80 cm. Street-art-inflected cityscape with the Palace of Culture and Science as the focal point; warm–cool contrasts shape the architecture. Signed “P.Taranek” (LR) + full name on verso (LL).

“Blues” (2021) by Paulina Taranek. Oil on canvas, 120 × 120 cm. Urban panorama from the Cityscapes series in deep blues and blacks; dynamic architectural lines, nocturnal mood. Signed “P.Taranek” (LL) + signed on verso.

“There, through the Sandy Hills” (2024) by Paulina Katarzyna Zielska. Oil on canvas, 40 × 30 cm. A small contemplative landscape in pinks and violets; gentle textures and distant mountain contours.

“Ciepło cieplej” (2021) by Paulina Katarzyna Zielska. Oil on canvas, 90 × 90 cm. A warm-hued landscape at sunset: a road leading toward the mountains, rolling hills and fiery light shaping the terrain.

“Zakopianka” (2021) by Paulina Katarzyna Zielska. Oil on canvas, 90 × 90 cm. A dusk cityscape: an empty road leading into the sunset, a flame neon on the right, soft pink–orange–blue hues contrasted with dark tree and sign silhouettes.

“Golden Circle” (2021) by Monika Wałęga. Acrylic on canvas / mixed media with gold accents, 100 × 100 cm. A central gold circle with light-responsive metallic sheen; the work changes with daylight. Signed on verso.

“Inferno” (2023) by Mira Pürschel. Acrylic on canvas, 100 × 100 cm. Conceptual, expressive abstraction—fiery chroma and sculpted texture lead through a labyrinth of emotion.

“No name Ochra” (2023) by Mira Pürschel. Mixed media / acrylic on canvas, 120 × 100 cm. Minimal monochrome in ochre hues; edges painted, signed on side and verso, certificate of authenticity included.

“Retrogradation 02” (2022) by Mira Pürschel. Acrylic on canvas, 140 × 100 cm. Minimal abstract study of planetary retrograde motion; stark black–ochre contrast, clear structure, signed front and verso.

“No name Red” (2023) by Mira Pürschel. Mixed media / acrylic on canvas (palette knife), 120 × 100 cm. Minimalist composition dominated by an intense red; layered texture and strong emotional charge.

“Future Past” (2021) by Matylda Burszta. Mixed media on linen canvas (oil, collage from recycled materials, photography, embroidery), 120 × 90 cm. Two simplified figures filled with collage—where figuration meets experiment and memory.

“Aurora” (2022) by Matylda Burszta. Mixed media—collage and oil on canvas, 90 × 120 cm. A romantic, cinematic portrait of a woman—elusive like the aurora; layered surface, chromatic glows and flickers of light.

“Let’s Dive” (2023) by Marta Chudzik. Acrylic on canvas (artist’s own technique), 120 × 90 cm. Water-inspired abstraction; turquoise palette, textured surface and a sense of immersion.

“I Wanna Be Yours but Only Tonight” (2022) by Marta Chudzik. Mixed media on canvas (acrylic, markers, pastels), 140 × 120 cm. Street-art/graffiti-inspired abstraction with bold gesture, typographic echoes and layered texture.

“In Light We Trust” (2023) by Marta Chudzik. Acrylic on canvas (artist’s own technique), 160 × 130 cm. Organic abstraction in shades of blue; minimalist structure and textured surface create calm and spaciousness.

“Flowing River” (2023) by Marta Chudzik. Acrylic on canvas (artist’s own technique), 180 × 100 cm. Abstract current of turquoise and black; textured surface adds depth and motion.

“Southern Beach” (2018) by Prof. Mariusz Woszczyński. Acrylic on canvas, 81 × 65 cm. A reportage-like seaside scene—tourists rendered with expressive brushwork, vibrant palette and summer light.

“Boulevard” (2020) by Prof. Mariusz Woszczyński. Acrylic on canvas, 100 × 50 cm. A reportage-like slice of city life: a cyclist and onlookers rendered with expressive brushwork and vivid colour harmony.

“Beach” (2020) by Prof. Mariusz Woszczyński. Acrylic on canvas, 100 × 50 cm. A reportage-like slice of everyday life: beachgoers and a cyclist rendered with expressive brushwork and vivid colour harmony.

“Raven Ballet” (2022) by Małgorzata Bańkowska. Ink on paper, 29.5 × 40.5 cm. Expressive, minimalist sheet from the MONO|STEREO series; dip pen linework, bold black–white contrast and kinetic gesture.

“Nude, Woman and Mars” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic/oil/pencil), 100 × 100 cm. From the series Women and Planets—femininity as a force balancing strength and sensitivity; Mars-red accents, vigorous gesture, layered texture.

“Nude, Woman and the Sun” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic, oil, pastel, pencil), 120 × 130 cm. A contemporary nude as a carrier of emotion and spirituality—body reduced to sign and form.

“Act – The Fruit of Femininity” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic, oil, pastels, pencil), 100 × 170 cm. A contemporary nude as a statement on female energy—sensuality meets agency.

Painting “Whituś” (2023) by Aneta & Filip Gębski – a MIRAGES artwork combining photography and drawing.

“Mu” (2022) by Franciszek Ledóchowski. A gestural, contemplative composition between abstraction and sign—layered paint, organic swirls and a luminous focal point.

“Spirit” (2025) by Franciszek Ledóchowski. Acrylic on canvas. A luminous nocturne: glowing circular core above semi-floral forms, rich impasto and vibrant colour contrasts.

“Imaginare” (2025) by Franciszek Ledóchowski. Acrylic on canvas. Gestural impasto abstraction—vibrant colour streams, organic shapes and a luminous core.

“Insect” (2023) by Magda Maciaszek – installation on four plexiglass panels, part of the “Dichotomy of Personality” series.

“Thirst” (2022) by Ela Kubat is an abstract acrylic painting created with the pouring art technique. Fluid blues and organic forms express energy and depth. Presented in a raw pine float frame.

“Thirsty Tree” (2022) by Ela Kubat is an abstract painting created with the acrylic pouring technique. Shades of blue and organic shapes merge into fluid harmony, enhanced by a float frame that adds spatial depth.

“Motion 1” (2022) by Ela Kubat is an abstract seascape created using the pouring art technique. Flowing acrylic layers evoke the motion of waves, clouds and reflections of light. The work is framed in an elegant 3D structure.

“Motion 2” (2022) by Ela Kubat is an acrylic painting created using the pouring art technique — where fluid paint layers flow across the canvas, forming spontaneous, organic patterns. The work is dominated by serene shades of blue and presented in a 3D frame.

“Decadence” (2005) by Bartłomiej Martens is an expressive and symbolic composition reflecting on decay, transformation and rebirth. The painting invites the viewer to contemplate beauty at the edge of dissolution.

“Metaphysics” (2017) by Bartłomiej Martens is a painterly meditation on existence and transience. Combining figuration and abstraction, the artist explores the boundaries of being, light and matter through symbolic depth.

“Inner Violation” (2018) by Bartłomiej Martens is a powerful, introspective abstraction. Layers of colour, gesture and light create palpable tension that moves from turmoil to catharsis.

“Anticipation” (2020) by Bartłomiej Martens is an expressive, atmospheric composition blending painterly tradition with modern abstraction. A reflection on time, stillness and emotional presence.

“Absorptive Idyll” (2000) by Bartłomiej Martens blends classical sensitivity with a contemporary abstract language. Delicate colour transitions and balanced composition create a calm, poetic ambience for any interior.

“Egocentrism” (2014) by Bartłomiej Martens – an expressive, symbolic painting exploring human identity and inner conflict. A visual reflection on solitude, ego and self-awareness.

“The Hunt” (2022) by Bartłomiej Martens – a dynamic mixed-media painting combining acrylic, oil, tempera and ink. A study of instinct, energy and the timeless tension between humanity and nature.

“Polish Pantone – Summer Edition” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Cool, luminous abstraction: soft vertical veils, a horizontal light threshold and deep, sea-like tones below.

“Vistula II” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 90 × 90 cm. Minimal river scene: a dark concentric vault above a pale bank with tiny figures.

“Vistula I” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 90 × 90 cm. Minimal scene: a dark concentric dome above a pale strip with tiny figures—evoking a winter riverbank.

“The Voyeur” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Split scene: a cool blue exterior silhouette versus a warm orange interior profile—cinematic play of gaze and light.

“Circles VI” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Cool greys and muted blues form concentric arcs with tiny figures scattered like specks on ice.

“Circles V” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. An aerial, arena-like field: dark architectural top, a gridded light plane with tiny figures, and a lone silhouette in cool blues below.

“Circles VII” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Nocturnal, aerial composition: a black hemispheric mass bordered by a pale ring with tiny scale markers.

“Back to back” (2024) by Izabela Siemiątkowska. Oil on canvas with wax paste. Nocturnal monochrome: a dark hemispheric bowl, a vertical string of lights and concentric reflections like ripples.

“Polish Pantone II” (2024) by Izabela Siemiątkowska. Oil on canvas with wax paste. Cool-toned minimalist abstraction with vertical bands, delicate abrasions and a luminous horizontal line.

“Krakry” by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. A cool-toned abstraction with textured “cracks” and a soft yellow light band.

“Big Blue 16” (2024) by Magdalena Purol. Acrylic on canvas, 50 × 50 cm. Saturated abstract in deep and vivid blues. Price: 2200 PLN.

“Encounters III” (2023) by Magdalena Laskowska. Acrylic on canvas. A poetic lawn scene: a blue sculpture and a reader, rendered in a minimalist composition.

“Evening Lights” (2022) by Magdalena Laskowska. Acrylic on canvas, 50 × 40 cm. A quiet urban scene at dusk with geometric houses, a lamppost and warm window glow.

“Evening by the River” (2022) by Magdalena Laskowska. Acrylic on canvas, 92 × 73 cm. A tranquil landscape in golden dusk tones with mirrored trees on still water.

“In Search of the Lost Colour” (2022) by Łukasz Jankiewicz. Oil on canvas, 100 × 150 × 3 cm. An enigmatic female portrait in nuanced reds with rich texture.

“Female Dominance” (2022) by Leszek Markuszewski. Oil on canvas, size 121 × 140 × 3 cm. Abstract composition with a philosophical underpinning—cool blues set against vivid red. Signed on the reverse.

“Untitled 1” (2022) by Leszek Markuszewski. Oil on canvas, large size 180 × 160 cm. Post-abstract composition fusing fantastical motifs with vivid colour and disciplined brushwork. Unique, hand-painted.

“Antypop” (2022) by Leszek Markuszewski. Oil on canvas, size 120 × 160 cm. Unique, hand-painted work on primed canvas.

“REFLECTION” (2022) by Lech Bator. Oil on canvas, 60 × 80 cm, with a decorative frame integral to the concept. Pop-culture symbolism, comic & graffiti accents, surreal juxtapositions.

“HER MESS” (2022) by Lech Bator. Oil on canvas, 130 × 100 cm, with a decorative frame integral to the concept. Pop-culture symbolism, comic and graffiti accents, surreal juxtapositions.

“Heritage” (2022) by Lech Bator. Mixed media on canvas, 64 × 90 cm. Hand-painted, in a decorative frame integral to the concept. References pop culture, comics and graffiti.

“Blue eyes” by Krzysztof Stępniewski. A realistic portrait/nude painted on canvas, rendered in a vivid, colourful palette. Approx. 120 cm.