Artworks from the category Bedroom paintings

“ACT 2026, From the Madonnas Series, PART OF LIGHT NO.2” by Malina Wieczorek is a subtle composition where a delicate female torso outline and an organic centre create an atmosphere of intimacy, stillness, and inner light. Acrylic and oil on canvas – a meditative work with strong collector appeal.

“ACT 2026, From the Madonnas Series, PART OF LIGHT NO.1” by Malina Wieczorek is an intimate painting in which a barely outlined female torso becomes a symbol of life, origin, and care. Delicate contour, linen texture, and dark organic clusters create a meditative and deeply symbolic atmosphere. Acrylic and oil on canvas, 50 × 50 cm, 2026.

“Scream” (2025) by Roch Krysa is an acrylic on canvas (50 × 60 × 4 cm). A dramatic contemporary portrait emerging from shadow, balancing figurative expression and surreal tension.

“Head” (2025) by Roch Krysa is an acrylic on canvas (50 × 60 × 4 cm). A warm-toned expressive portrait combining impressionism, figurative painting and surrealism.

Painting “Cage” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). The surreal portrait shows a human figure emerging from a red mist, enclosed within a geometric cage-like structure.

“Face of War” (2025) by Roch Krysa is an acrylic painting on canvas (72 × 102 × 4 cm). The expressive portrait merges realism and surrealism, presenting a red, fragmented face as an allegory of conflict and psychological tension.

“Statue 3” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). The figurative male nude emerges through abstract painterly structures, defined by warm, intense colors and expressive gestures.

“Statue 3” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). A figurative male nude emerges from an impressionistic abstract background, blending realism, figurative painting and surreal expression.

“Torch” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). A warm-toned figurative composition exploring light, movement and emotional expression.

“War” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). This allegorical portrait blends surrealism with expressive color, presenting the human face as a symbol of tension and transformation.

“Seated Woman” (2025) by Małgorzata Kleyna-Sobczak is a minimalist Japanese pen drawing defined by elegant lines and contemporary figurative simplicity.

“Portrait” (2025) by Małgorzata Kleyna-Sobczak is a refined minimalist drawing created with a Japanese pen. A delicate line shapes a calm facial study, combining elegance with contemporary figurative aesthetics.

“Resting” (2025) by Małgorzata Klejna-Sobczak is a refined minimalist drawing created with a Japanese pen. A single fluid line defines a calm feminine silhouette, combining elegance, balance and contemporary figurative aesthetics.

“Statue” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). The figurative male nude emerges from deep shadow, balancing realism with surreal abstraction.

“Frenzy” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). A grotesque human portrait rendered in earthy green-orange tones merges realism with surreal deformation.

“Fire” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). An expressive portrait rendered in warm luminous tones merges expressionism, figurative painting and surreal abstraction.

“Mother” (2025) by Małgorzata Klejna-Sobczak is a minimalist Japanese pen drawing defined by a refined, calligraphic line. The delicate composition evokes intimacy and emotional depth, presenting motherhood through contemporary minimalist aesthetics.

“Silence” (2023) by Beata Walczak is an acrylic painting on canvas showing a pensive woman in a purple sweater emerging from a dark, leafy landscape. A green branch hides part of her face, while distant white figures recede into the background, evoking a poetic reflection on quietness, memory and inner emotions.

“Roots of the Secret” (2025) by Beata Walczak is an acrylic painting on canvas showing two young women hidden among lush plants, one whispering into the other’s ear. The split composition – above and below ground – suggests that every secret has deep roots, invisible yet very much alive.

“What Was, Was Not” (2022) by Beata Walczak is an acrylic painting on canvas showing a couple embracing in a lush, storybook forest filled with patterned leaves and pink fruit. Vivid greens and the poetic title evoke memory, tenderness and the fleeting nature of time.

“Everything Has Its Time” (2023) by Beata Walczak is an acrylic painting on canvas showing a resting figure draped over a turquoise zebra-like rocking horse, surrounded by lush patterned leaves and a branching tree on a magenta background. Vivid colours and dreamlike imagery evoke childhood, the rhythm of nature and the right moment to pause.

“Chronic Attraction” (2022) by Beata Walczak is an acrylic painting on canvas in which an acrobatically posed female figure meets a lush, almost mythical plant. Vivid greens, a red patterned pot, a snake and an apple create a playful, contemporary take on temptation and irresistible attraction.

“ACT ECCE HOMO purple” (2023) by Malina Wieczorek is a large 120 × 120 cm acrylic and oil painting on canvas. A powerful nude set in deep purple tones evokes the idea of Ecce Homo, highlighting both the fragility and dignity of the human body.

“Nude Signs 1” (2020) by Malina Wieczorek is an intimate abstract nude, in which the body is reduced to a sign – a light, textured rectangle set against a warm golden-ochre background. Minimalist form and subtle colour contrasts create a contemplative mood.

“Nude in the Grass 3” (2024) by Malina Wieczorek is an atmospheric work from the artist’s series of nudes in nature. The female figure blends with the rhythm of grasses and foliage, creating a composition that is both calm and sensual, with a distinctly contemporary feel.

“Nude in the Grass 1” (2024) by Malina Wieczorek is an intimate 50 × 50 cm painting in which a subtle female nude is set within a natural field of grasses. The combination of soft figuration and organic surroundings creates a calm, contemplative atmosphere.

“ACT – Woman from Sirius, Terra Ignota” (2025) by Malina Wieczorek is a 100 × 100 cm oil and acrylic painting on canvas. The artist combines a female nude with a cosmic narrative, presenting a woman from Sirius set against an unknown landscape – a true terra ignota.

“Nude” (2023) by Malina Wieczorek is a subtle study of the human body in a contemporary painterly form. Delicate light and shadow modelling emphasises the lines of the figure, creating an image that radiates calm, sensitivity and elegance.

“Act – The Fruit of Femininity” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic, oil, pastels, pencil), 100 × 170 cm. A contemporary nude as a statement on female energy—sensuality meets agency.

“Nude, Woman and the Sun” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic, oil, pastel, pencil), 120 × 130 cm. A contemporary nude as a carrier of emotion and spirituality—body reduced to sign and form.

“Nude, Woman and Mars” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic/oil/pencil), 100 × 100 cm. From the series Women and Planets—femininity as a force balancing strength and sensitivity; Mars-red accents, vigorous gesture, layered texture.

“Grey Composition” (2024) by Roman Goss is an abstract oil painting on canvas dominated by a muted grey-blue background. Bright accents of yellow, white, black, brown and light green appear in bold, textured colour blocks, creating a layered, almost architectural composition.

“Composition 17” (2024) by Roman Goss is an abstract oil painting on canvas built from horizontal and vertical colour blocks. A warm, earthy palette of browns, beiges, yellows, whites and light greens, combined with rich texture, creates a strong sense of depth, light and structure.

“Vox” (2024) by Roman Goss is an oil painting on canvas that contrasts warm reds and browns with cool, light green colour fields. Rhythmic geometric forms and rich texture create a sense of dynamic struggle between light and shadow.

“Miracle” (2024) by Roman Goss is an oil painting on canvas depicting a semi-abstract landscape. Layered colours, rich texture and muted blue tones create a calm, almost meditative space where the play of light and shadow is central.

“Lux 7707” (2023) by Rafał Wieczorek is a hand-painted abstract acrylic on canvas from the Lux series. Shades of platinum grey create a minimalist study of light, perfect for contemporary living rooms, offices and elegant professional interiors.

“Lux 8813” (2018) by Rafał Wieczorek is a hand-painted abstract acrylic on canvas from the Lux series. Dominant yellow-gold tones create a refined study of light, perfect for contemporary interiors such as a living room, office or elegant practice.

“Lux 0171” (2017) by Rafał Wieczorek is an abstract acrylic painting on canvas from the Lux series, dedicated to the theme of light. The minimalist composition in yellow tones brings a refined accent to contemporary interiors such as a living room, office or practice.

“Organ Concert” (2022) by Rafał Labijak, oil on relief ground (HDF board), 100 × 100 cm. Layered texture orchestrates light and shadow like an organ performance. Exhibited and reproduced in the catalogue “Sztuka kochania…”.

“A Plea to the Moon” (2023) – monotype by Rafał Labijak, oil on cardboard, 57 × 76 cm. An emotional sketch used as a compositional base for later paintings; reproduced in the catalogue “Sztuka kochania…”.

“Fatum” (1999) by Przemysław Tyszkiewicz. Monochrome etching, 50 × 50 cm (square). A nude female figure set within a surreal landscape of hybrid creatures and flora; sun/circular border evokes fate and life’s cycles.

“Seven of My Ribs” (2011) by Przemysław Tyszkiewicz. Monochrome etching, 50 × 50 cm (square). A enthroned male figure encircled by mythic creatures (birds, fish) and flora; star-like layout, deep chiaroscuro, layered symbolism.

“A Wild Sip of Primeval Tea” (2014) by Przemysław Tyszkiewicz. Etching & aquatint on copper, 94 × 67 cm (landscape). A canopy of levitating mushrooms—some bearing architectural motifs (pagoda)—with wild dogs/wolves roaming below; refined chiaroscuro and dreamlike symbolism.

“Meteorology of Accidental Hallucinations” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A meticulously rendered truck beneath a canopy of levitating mushrooms; refined linework, deep chiaroscuro and layered symbolism.

“Statics of the Depths” (2004) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A sofa suspended in darkness, a hovering hummingbird, and twisting tower-like columns—refined chiaroscuro, precise line and dreamlike symbolism.

“At Dawn the Black Ocean Bloomed” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A dreamlike dawn tableau: glowing flowers, a ship entwined with vegetation, a dragon and a bridge/fortress silhouette; refined chiaroscuro and layered symbolism.

“Flowers of the Night” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). Three glowing blossoms under a crescent moon; exquisite chiaroscuro, meticulous detail and dreamlike symbolism.

“Cornflower Moon of the Frost Fields” (2011) by Przemysław Tyszkiewicz. Etching & aquatint, 94 × 67 cm (landscape). A oneiric scene with a winged pig, levitating animals and a monumental bull; exquisite chiaroscuro and layered symbolism.

“Heart of Wrocław” (2016) by Przemysław Tyszkiewicz. Etching & aquatint, 49 × 60 cm (portrait). A monochrome anatomical heart filled with Wrocław’s architecture; exquisite chiaroscuro and meticulous line work evoke a dreamlike city-portrait.

“Moon Garden” (2020) by Przemysław Tyszkiewicz. Etching & aquatint, 40 × 53 cm (portrait). An oneiric scene where hyper-detailed roses emerge from darkness; symbolism and chiaroscuro shape a quiet unease.

“Lake Płaskie” (2024) by Piotr Trusik. Oil on canvas, 21 × 30 cm (portrait). An intimate painterly note of nature from the Jerzwałd Plein Air 2024—holding light, water and time in a fleeting study.

“Keepsake” (2024) by Piotr Trusik. Oil on panel, 30.5 × 21 cm (landscape). A fleeting painterly note of nature from the Jerzwałd Plein Air 2024 — an attempt to hold light, time and the memory of seeing.

“Events” (2024) by Piotr Trusik. Oil on canvas, 30 × 40 cm (portrait). A painterly meditation on women’s freedom and bodily autonomy; dense, alien matter contrasts with a tender gaze to shape an ambiguous narrative.

“Found 2” (2024) by Piotr Trusik. Oil on canvas, 34.5 × 40.5 cm (portrait). A fleeting painterly note of nature from the Jerzwałd Plein Air 2024 — on the ephemerality of looking and the memory of place.

“Found 1” (2024) by Piotr Trusik. Oil on canvas, 30 × 24 cm (landscape). A fleeting painterly note of nature from Jerzwałd Plein Air 2024 — on the ephemerality of looking and the memory of place.

“Between 4” (2024) by Piotr Trusik. Oil on canvas, artist’s technique, 145 × 115 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Between 3” (2024) by Piotr Trusik. Oil on canvas, artist’s technique, 145 × 115 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Between 2” (2024) by Piotr Trusik. Oil on canvas, 40 × 34 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Between 1” (2024) by Piotr Trusik. Oil on canvas, 35 × 35 cm. A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion.

“Hypnos” (2022) from the Myths & Legends series by Piotr Piecko. Mixed media (oil, acrylic, gold leaf) on canvas, 80 × 100 cm (landscape). A contemporary portrait of Hypnos, the Greek god of sleep. Signed LR; American Box frame.

“Aphrodite” (2022) from the Myths & Legends series by Piotr Piecko. Mixed media (oil, acrylic, gold leaf) on canvas, 150 × 100 cm. A contemporary portrait of the goddess of love and beauty, with luminous gold accents. Signed LR (Polish: LL on the front).

“Icarus” (2023) from the Myths & Legends series by Piotr Piecko. Mixed media (acrylic, gold leaf) on canvas, 115 × 75 cm. A contemporary take on the Icarus myth—solar radiance in gold leaf set against the drama of hubris and fall. Signed LR; American Box frame.

“Apollo” (2023) from the Myths & Legends series by Piotr Piecko. Mixed media (acrylic, gold leaf) on canvas, 100 × 70 cm. A contemporary portrait of Apollo—god of light, arts and poetry—merging classical iconography with modern materiality. Signed LR; American Box frame.

“Awakening” (2022) by Piotr Horodyński. Oil on canvas, 100 × 120 cm. A surreal / magical-realist composition with a central female figure and symbolic forms; created for the exhibition “WOMAN – in memory of Anna Bilińska” (Jacek Malczewski Museum, Radom, 2022).

“Towards Freedom” (2015) by Piotr Horodyński. Oil on canvas, 100 × 92 cm. A surreal / magical-realist narrative about choice, motion and renewal; muted palette, nuanced chiaroscuro, contemplative tone.

“Awaiting” (2022) by Piotr Horodyński. Oil on canvas, 100 × 81 cm. Surreal-fantastical scene of ruins as traces of time and light as a promise of renewal; contemplative mood, nuanced chiaroscuro.

“SILENCE IS POETRY” (2022) by Piotr Horodyński. Oil on canvas, 100 × 120 cm. A surreal / magical-realist scene where a chess game becomes a metaphor for life choices; nuanced chiaroscuro and restrained cool palette invite contemplation.

“Vastness of Silence” (2025) by Piotr Horodyński. Oil on canvas, 61 × 50 cm. A fantastical, surreal atmosphere in muted blues and navies evoking ice, arctic space and an evening sky; intimate, contemplative mood.

“2nd Avenue” (2019) by Paulina Taranek. Acrylic & oil on canvas, 100 × 80 cm. A black-and-white cityscape on the edge of figuration and abstraction; linear rhythm and stark contrast evoke metropolitan motion. Signed “P.Taranek” (LR) + full name on verso (LR).

“1rst Avenue” (2019) by Paulina Taranek. Acrylic on canvas, 80 × 60 cm. Black-and-white cityscape: a boulevard between skyscrapers rendered with minimalist lines and textures. Signed “P.Taranek” (LR) + full name on verso (LR).

“Uwaga, to nie chmury” (2021) by Paulina Taranek. Acrylic on canvas, 100 × 80 cm. Street-art-inflected cityscape with the Palace of Culture and Science as the focal point; warm–cool contrasts shape the architecture. Signed “P.Taranek” (LR) + full name on verso (LL).

“Blues” (2021) by Paulina Taranek. Oil on canvas, 120 × 120 cm. Urban panorama from the Cityscapes series in deep blues and blacks; dynamic architectural lines, nocturnal mood. Signed “P.Taranek” (LL) + signed on verso.

“There, through the Sandy Hills” (2024) by Paulina Katarzyna Zielska. Oil on canvas, 40 × 30 cm. A small contemplative landscape in pinks and violets; gentle textures and distant mountain contours.

“Ciepło cieplej” (2021) by Paulina Katarzyna Zielska. Oil on canvas, 90 × 90 cm. A warm-hued landscape at sunset: a road leading toward the mountains, rolling hills and fiery light shaping the terrain.

“Zakopianka” (2021) by Paulina Katarzyna Zielska. Oil on canvas, 90 × 90 cm. A dusk cityscape: an empty road leading into the sunset, a flame neon on the right, soft pink–orange–blue hues contrasted with dark tree and sign silhouettes.

“Golden Circle” (2021) by Monika Wałęga. Acrylic on canvas / mixed media with gold accents, 100 × 100 cm. A central gold circle with light-responsive metallic sheen; the work changes with daylight. Signed on verso.

“Inferno” (2023) by Mira Pürschel. Acrylic on canvas, 100 × 100 cm. Conceptual, expressive abstraction—fiery chroma and sculpted texture lead through a labyrinth of emotion.

“No name Ochra” (2023) by Mira Pürschel. Mixed media / acrylic on canvas, 120 × 100 cm. Minimal monochrome in ochre hues; edges painted, signed on side and verso, certificate of authenticity included.

“Retrogradation 02” (2022) by Mira Pürschel. Acrylic on canvas, 140 × 100 cm. Minimal abstract study of planetary retrograde motion; stark black–ochre contrast, clear structure, signed front and verso.

“No name Red” (2023) by Mira Pürschel. Mixed media / acrylic on canvas (palette knife), 120 × 100 cm. Minimalist composition dominated by an intense red; layered texture and strong emotional charge.

“Future Past” (2021) by Matylda Burszta. Mixed media on linen canvas (oil, collage from recycled materials, photography, embroidery), 120 × 90 cm. Two simplified figures filled with collage—where figuration meets experiment and memory.

“Aurora” (2022) by Matylda Burszta. Mixed media—collage and oil on canvas, 90 × 120 cm. A romantic, cinematic portrait of a woman—elusive like the aurora; layered surface, chromatic glows and flickers of light.

“Let’s Dive” (2023) by Marta Chudzik. Acrylic on canvas (artist’s own technique), 120 × 90 cm. Water-inspired abstraction; turquoise palette, textured surface and a sense of immersion.

“I Wanna Be Yours but Only Tonight” (2022) by Marta Chudzik. Mixed media on canvas (acrylic, markers, pastels), 140 × 120 cm. Street-art/graffiti-inspired abstraction with bold gesture, typographic echoes and layered texture.

“In Light We Trust” (2023) by Marta Chudzik. Acrylic on canvas (artist’s own technique), 160 × 130 cm. Organic abstraction in shades of blue; minimalist structure and textured surface create calm and spaciousness.

“Flowing River” (2023) by Marta Chudzik. Acrylic on canvas (artist’s own technique), 180 × 100 cm. Abstract current of turquoise and black; textured surface adds depth and motion.

“Southern Beach” (2018) by Prof. Mariusz Woszczyński. Acrylic on canvas, 81 × 65 cm. A reportage-like seaside scene—tourists rendered with expressive brushwork, vibrant palette and summer light.

“Boulevard” (2020) by Prof. Mariusz Woszczyński. Acrylic on canvas, 100 × 50 cm. A reportage-like slice of city life: a cyclist and onlookers rendered with expressive brushwork and vivid colour harmony.

“Beach” (2020) by Prof. Mariusz Woszczyński. Acrylic on canvas, 100 × 50 cm. A reportage-like slice of everyday life: beachgoers and a cyclist rendered with expressive brushwork and vivid colour harmony.

“Raven Ballet” (2022) by Małgorzata Bańkowska. Ink on paper, 29.5 × 40.5 cm. Expressive, minimalist sheet from the MONO|STEREO series; dip pen linework, bold black–white contrast and kinetic gesture.

Painting “Whituś” (2023) by Aneta & Filip Gębski – a MIRAGES artwork combining photography and drawing.

“Mu” (2022) by Franciszek Ledóchowski. A gestural, contemplative composition between abstraction and sign—layered paint, organic swirls and a luminous focal point.

“Spirit” (2025) by Franciszek Ledóchowski. Acrylic on canvas. A luminous nocturne: glowing circular core above semi-floral forms, rich impasto and vibrant colour contrasts.

“Imaginare” (2025) by Franciszek Ledóchowski. Acrylic on canvas. Gestural impasto abstraction—vibrant colour streams, organic shapes and a luminous core.

“Insect” (2023) by Magda Maciaszek – installation on four plexiglass panels, part of the “Dichotomy of Personality” series.

“Thirst” (2022) by Ela Kubat is an abstract acrylic painting created with the pouring art technique. Fluid blues and organic forms express energy and depth. Presented in a raw pine float frame.

“Thirsty Tree” (2022) by Ela Kubat is an abstract painting created with the acrylic pouring technique. Shades of blue and organic shapes merge into fluid harmony, enhanced by a float frame that adds spatial depth.

“Motion 1” (2022) by Ela Kubat is an abstract seascape created using the pouring art technique. Flowing acrylic layers evoke the motion of waves, clouds and reflections of light. The work is framed in an elegant 3D structure.

“Motion 2” (2022) by Ela Kubat is an acrylic painting created using the pouring art technique — where fluid paint layers flow across the canvas, forming spontaneous, organic patterns. The work is dominated by serene shades of blue and presented in a 3D frame.

“Decadence” (2005) by Bartłomiej Martens is an expressive and symbolic composition reflecting on decay, transformation and rebirth. The painting invites the viewer to contemplate beauty at the edge of dissolution.