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“Poison Lady” (2024) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. It portrays an apparently delicate and elegant woman who hides a dark secret – you can get to know her, but never fully reveal it.
“Lady Twin” (2023) by Roland Kościółek is a glazed ceramic sculpture made from a slip-cast mould. This minimalist nude figure with its refined silhouette is a striking accent piece for contemporary living rooms, offices and studios.
“Moon Lady” (2023) by Roland Kościółek is a glazed ceramic sculpture – a surreal human portrait with a striking contemporary form. Slip-cast and glazed, it makes a distinctive collector’s piece for living rooms, offices and representative interiors.
“Lady Sky” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies and features a unique colour scheme, depicting a beautiful, elegant and confident woman of extraterrestrial origin.
“Lady Atom” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies and features a unique colour scheme, depicting a woman in a long dress in a futuristic, biotech world.
“Lady Atom” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies, with a unique colour scheme, depicting a woman in a long dress in a futuristic, biotech-driven world.
“Lux 7707” (2023) by Rafał Wieczorek is a hand-painted abstract acrylic on canvas from the Lux series. Shades of platinum grey create a minimalist study of light, perfect for contemporary living rooms, offices and elegant professional interiors.
“Lux 8813” (2018) by Rafał Wieczorek is a hand-painted abstract acrylic on canvas from the Lux series. Dominant yellow-gold tones create a refined study of light, perfect for contemporary interiors such as a living room, office or elegant practice.
“Lux 0171” (2017) by Rafał Wieczorek is an abstract acrylic painting on canvas from the Lux series, dedicated to the theme of light. The minimalist composition in yellow tones brings a refined accent to contemporary interiors such as a living room, office or practice.
“Organ Concert” (2022) by Rafał Labijak, oil on relief ground (HDF board), 100 × 100 cm. Layered texture orchestrates light and shadow like an organ performance. Exhibited and reproduced in the catalogue “Sztuka kochania…”.
“A Plea to the Moon” (2023) – monotype by Rafał Labijak, oil on cardboard, 57 × 76 cm. An emotional sketch used as a compositional base for later paintings; reproduced in the catalogue “Sztuka kochania…”.
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“Fatum” (1999) by Przemysław Tyszkiewicz. Monochrome etching, 50 × 50 cm (square). A nude female figure set within a surreal landscape of hybrid creatures and flora; sun/circular border evokes fate and life’s cycles.
“Seven of My Ribs” (2011) by Przemysław Tyszkiewicz. Monochrome etching, 50 × 50 cm (square). A enthroned male figure encircled by mythic creatures (birds, fish) and flora; star-like layout, deep chiaroscuro, layered symbolism.
“A Wild Sip of Primeval Tea” (2014) by Przemysław Tyszkiewicz. Etching & aquatint on copper, 94 × 67 cm (landscape). A canopy of levitating mushrooms—some bearing architectural motifs (pagoda)—with wild dogs/wolves roaming below; refined chiaroscuro and dreamlike symbolism.
“Meteorology of Accidental Hallucinations” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A meticulously rendered truck beneath a canopy of levitating mushrooms; refined linework, deep chiaroscuro and layered symbolism.
“Statics of the Depths” (2004) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A sofa suspended in darkness, a hovering hummingbird, and twisting tower-like columns—refined chiaroscuro, precise line and dreamlike symbolism.
“At Dawn the Black Ocean Bloomed” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A dreamlike dawn tableau: glowing flowers, a ship entwined with vegetation, a dragon and a bridge/fortress silhouette; refined chiaroscuro and layered symbolism.
“Flowers of the Night” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). Three glowing blossoms under a crescent moon; exquisite chiaroscuro, meticulous detail and dreamlike symbolism.
“Cornflower Moon of the Frost Fields” (2011) by Przemysław Tyszkiewicz. Etching & aquatint, 94 × 67 cm (landscape). A oneiric scene with a winged pig, levitating animals and a monumental bull; exquisite chiaroscuro and layered symbolism.
“Heart of Wrocław” (2016) by Przemysław Tyszkiewicz. Etching & aquatint, 49 × 60 cm (portrait). A monochrome anatomical heart filled with Wrocław’s architecture; exquisite chiaroscuro and meticulous line work evoke a dreamlike city-portrait.