Skowronscy Art Gallery

“Boats and Cutters 2” (2009) by Anna Kordowicz-Markuszewska – an expressive oil painting inspired by marine forms. A vivid abstraction combining rhythm, texture and emotional depth.

“Fiddler on the Roof” (2019) by Lech Majewski. Offset print, 68 × 98 cm (framed 70 × 100 cm). Limited reproduction; one signed copy available.

“Heritage” (2022) by Lech Bator. Mixed media on canvas, 64 × 90 cm. Hand-painted, in a decorative frame integral to the concept. References pop culture, comics and graffiti.

“HER MESS” (2022) by Lech Bator. Oil on canvas, 130 × 100 cm, with a decorative frame integral to the concept. Pop-culture symbolism, comic and graffiti accents, surreal juxtapositions.

“REFLECTION” (2022) by Lech Bator. Oil on canvas, 60 × 80 cm, with a decorative frame integral to the concept. Pop-culture symbolism, comic & graffiti accents, surreal juxtapositions.

“Copenhagen Expression 2” (2017) by Krzysztof Ludwin. Acrylic on canvas, size 130 × 100 cm. A vivid cityscape capturing Northern light and urban rhythm.

“Barcelona” (2018) by Krzysztof Ludwin. Acrylic on canvas, size 120 × 100 cm. A cityscape capturing Mediterranean light and color.

“Skyscrapers of the World” (2018) by Krzysztof Ludwin. Acrylic on canvas, 120 × 100 cm. An expressive cityscape of light, reflection and vertical rhythm.

White Ceramic Mug. 325ml

“Krakry” by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. A cool-toned abstraction with textured “cracks” and a soft yellow light band.

“Polish Pantone II” (2024) by Izabela Siemiątkowska. Oil on canvas with wax paste. Cool-toned minimalist abstraction with vertical bands, delicate abrasions and a luminous horizontal line.

“Polish Pantone – Summer Edition” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Cool, luminous abstraction: soft vertical veils, a horizontal light threshold and deep, sea-like tones below.

“The Voyeur” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Split scene: a cool blue exterior silhouette versus a warm orange interior profile—cinematic play of gaze and light.

“Circles VI” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Cool greys and muted blues form concentric arcs with tiny figures scattered like specks on ice.

“Circles V” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. An aerial, arena-like field: dark architectural top, a gridded light plane with tiny figures, and a lone silhouette in cool blues below.

“Circles VII” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Nocturnal, aerial composition: a black hemispheric mass bordered by a pale ring with tiny scale markers.

“Back to back” (2024) by Izabela Siemiątkowska. Oil on canvas with wax paste. Nocturnal monochrome: a dark hemispheric bowl, a vertical string of lights and concentric reflections like ripples.

“Imaginare” (2025) by Franciszek Ledóchowski. Acrylic on canvas. Gestural impasto abstraction—vibrant colour streams, organic shapes and a luminous core.

“Spirit” (2025) by Franciszek Ledóchowski. Acrylic on canvas. A luminous nocturne: glowing circular core above semi-floral forms, rich impasto and vibrant colour contrasts.

“Mu” (2022) by Franciszek Ledóchowski. A gestural, contemplative composition between abstraction and sign—layered paint, organic swirls and a luminous focal point.

“Nude” (2023) by Malina Wieczorek is a subtle study of the human body in a contemporary painterly form. Delicate light and shadow modelling emphasises the lines of the figure, creating an image that radiates calm, sensitivity and elegance.

“ACT – Woman from Sirius, Terra Ignota” (2025) by Malina Wieczorek is a 100 × 100 cm oil and acrylic painting on canvas. The artist combines a female nude with a cosmic narrative, presenting a woman from Sirius set against an unknown landscape – a true terra ignota.

“Nude in the Grass 1” (2024) by Malina Wieczorek is an intimate 50 × 50 cm painting in which a subtle female nude is set within a natural field of grasses. The combination of soft figuration and organic surroundings creates a calm, contemplative atmosphere.

“Nude in the Grass 3” (2024) by Malina Wieczorek is an atmospheric work from the artist’s series of nudes in nature. The female figure blends with the rhythm of grasses and foliage, creating a composition that is both calm and sensual, with a distinctly contemporary feel.

“Nude Signs 1” (2020) by Malina Wieczorek is an intimate abstract nude, in which the body is reduced to a sign – a light, textured rectangle set against a warm golden-ochre background. Minimalist form and subtle colour contrasts create a contemplative mood.

“ACT ECCE HOMO purple” (2023) by Malina Wieczorek is a large 120 × 120 cm acrylic and oil painting on canvas. A powerful nude set in deep purple tones evokes the idea of Ecce Homo, highlighting both the fragility and dignity of the human body.

“Chronic Attraction” (2022) by Beata Walczak is an acrylic painting on canvas in which an acrobatically posed female figure meets a lush, almost mythical plant. Vivid greens, a red patterned pot, a snake and an apple create a playful, contemporary take on temptation and irresistible attraction.

“Everything Has Its Time” (2023) by Beata Walczak is an acrylic painting on canvas showing a resting figure draped over a turquoise zebra-like rocking horse, surrounded by lush patterned leaves and a branching tree on a magenta background. Vivid colours and dreamlike imagery evoke childhood, the rhythm of nature and the right moment to pause.

“What Was, Was Not” (2022) by Beata Walczak is an acrylic painting on canvas showing a couple embracing in a lush, storybook forest filled with patterned leaves and pink fruit. Vivid greens and the poetic title evoke memory, tenderness and the fleeting nature of time.

“Roots of the Secret” (2025) by Beata Walczak is an acrylic painting on canvas showing two young women hidden among lush plants, one whispering into the other’s ear. The split composition – above and below ground – suggests that every secret has deep roots, invisible yet very much alive.

“Silence” (2023) by Beata Walczak is an acrylic painting on canvas showing a pensive woman in a purple sweater emerging from a dark, leafy landscape. A green branch hides part of her face, while distant white figures recede into the background, evoking a poetic reflection on quietness, memory and inner emotions.

“Unholy” (2023) – hand-painted oil on canvas enhanced with metal leaf and cotton rope. Figurative work with a central human figure. Size 130 × 130 cm.

“Balloon XXXIX” (2023) by Amonaria Magda Maciaszek – installation on four plexiglass panels, depicting a balloon in shades of pink, white and cobalt. From the series “Autotelicity of the Road”.

“Moose” (2022) by Magda Maciaszek – acrylic on canvas, figurative work in browns, white and gold. From the “Dichotomy of Personality” series.

“Flaming VIII” (2020) by Magda Maciaszek – acrylic on canvas 120×80 cm, a subtle figurative work with abstract elements, in shades of pink and grey.

“Squirrel” (2022) by Magda Maciaszek (Amonaria). Acrylic on canvas, 120 × 80 cm. Split composition with the titular animal; differing paint handling on each side. Palette of russet, brown, grey, white and gold accents.

“Balloon XVII” (2020) by Magda Maciaszek (Amonaria). Acrylic on canvas, 90 × 90 cm. Expressive piece at the edge of abstraction and figuration; vivid reds, oranges, greens and blues. Painted edges, matte varnish finish.

“In between” (2022) by Matylda Burszta. Mixed media on linen (oil + embroidered elements), 80 × 60 cm. Minimalist portrait on black; a tightly embroidered face emerges from the surface, balancing presence and unease.

“No name Blue” (2023) by Mira Pürschel. Mixed media / acrylic + varnish on 3D canvas, 120 × 100 cm. Minimal monochrome in Parisian blue; layered surface with refined sheen.

“No name Black” (2023) by Mira Pürschel. Mixed media / acrylic on 3D canvas, 120 × 100 cm. Minimal black monochrome with layered, tactile texture and spatial depth.

“HER EYES” (2023) lamp–sculpture in recycled paper + cement, finished with acrylics and varnish. Fragmentary human figure with intentional cracks. Metal base. 30 × 20 × 56 cm.

“Vacant Space” (2021) by Beata Walczak is an acrylic painting on canvas showing a couple standing back to back on either side of a blue tree, each holding a pear. Cool blues and greys, birch trees and a symbolic eye-heart motif above them evoke emotional distance, absence and the echo of a relationship that once filled this place.

Painting “Walk” (2023) by Joanna Czajkowska is an oil on linen canvas (110 × 90 cm). This figurative work combines magical realism and surrealism, portraying the human form as a poetic symbol of introspection and motion.

“Migraine” (2023) by Anna Rendecka – a triptych of expressive abstract works created in mixed media on paper. A powerful visual narrative about pain, sensitivity and the transformation of emotion into color and form.

“Untitled 5” (2012) by Franciszek Ledóchowski. Oil on canvas, 150 × 100 cm. A realist scene with a glass scattering sunlight—an open-ended symbol asking: half empty or half full?