“Rybny” (2020) by Anna Kordowicz-Markuszewska – a hand-painted oil artwork in the style of organic abstraction. A composition full of rhythm, harmony, and vibrant energy.
“Untitled” (2019) by Anna Kordowicz-Markuszewska is an organic abstraction inspired by Post-Impressionism and early 20th-century abstract art. A refined oil painting full of balance and subtle rhythm.
“Untitled 2” (2019) by Anna Kordowicz-Markuszewska – an expressive oil painting full of color and rhythm. A contemporary abstract work that radiates energy and emotion.
“MÓZGOWY” (2021) by Anna Kordowicz-Markuszewska – a minimalist abstract oil painting in vivid green and red tones. A striking example of contemporary Polish art.
“Żółwiowy” (2022) by Anna Kordowicz-Markuszewska – an expressive abstract oil painting combining vivid green and red tones. A powerful work of modern art.
“Untitled 3” (2022) by Anna Kordowicz-Markuszewska – a vibrant oil painting exploring rhythm, color, and emotion. A unique piece of contemporary abstract art.
“Untitled 4” (2022) by Anna Kordowicz-Markuszewska – a hand-painted oil on canvas featuring deep ultramarine tones and rhythmic abstract forms. A serene yet powerful work of art.
“Untitled 5” (2022) by Anna Kordowicz-Markuszewska – a hand-painted oil on canvas in geometric abstraction style. A rhythmic, beige-toned composition full of balance and precision.
“Untitled 6” (2022) by Anna Kordowicz-Markuszewska – an oil painting inspired by geometric abstraction. A dynamic play of rhythm, form, and color defines this contemporary work.
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“Cut” (2022) by Anna Kordowicz-Markuszewska – an expressive oil painting dominated by red tones and dynamic composition. Minimalist yet full of energy and rhythm.
“Untitled 2” (2020) by Anna Kordowicz-Markuszewska – a geometric abstract oil painting featuring red and green tones. A balanced and expressive contemporary composition.
“Wylągi” (2014) by Anna Kordowicz-Markuszewska – an abstract still life painted in oil. Warm shades of pink and brown create a harmonious, elegant composition.
“Boats and Cutters” (2009) by Anna Kordowicz-Markuszewska – an expressive abstract painting created with mixed media (acrylic and oil on canvas). A dynamic, hand-painted composition full of movement and emotion.
“Boats and Cutters 2” (2009) by Anna Kordowicz-Markuszewska – an expressive oil painting inspired by marine forms. A vivid abstraction combining rhythm, texture and emotional depth.
“Fiddler on the Roof” (2019) by Lech Majewski. Offset print, 68 × 98 cm (framed 70 × 100 cm). Limited reproduction; one signed copy available.
“Heritage” (2022) by Lech Bator. Mixed media on canvas, 64 × 90 cm. Hand-painted, in a decorative frame integral to the concept. References pop culture, comics and graffiti.
“HER MESS” (2022) by Lech Bator. Oil on canvas, 130 × 100 cm, with a decorative frame integral to the concept. Pop-culture symbolism, comic and graffiti accents, surreal juxtapositions.
“REFLECTION” (2022) by Lech Bator. Oil on canvas, 60 × 80 cm, with a decorative frame integral to the concept. Pop-culture symbolism, comic & graffiti accents, surreal juxtapositions.
“Copenhagen Expression 2” (2017) by Krzysztof Ludwin. Acrylic on canvas, size 130 × 100 cm. A vivid cityscape capturing Northern light and urban rhythm.
“Barcelona” (2018) by Krzysztof Ludwin. Acrylic on canvas, size 120 × 100 cm. A cityscape capturing Mediterranean light and color.
“Skyscrapers of the World” (2018) by Krzysztof Ludwin. Acrylic on canvas, 120 × 100 cm. An expressive cityscape of light, reflection and vertical rhythm.
“Krakry” by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. A cool-toned abstraction with textured “cracks” and a soft yellow light band.
“Polish Pantone II” (2024) by Izabela Siemiątkowska. Oil on canvas with wax paste. Cool-toned minimalist abstraction with vertical bands, delicate abrasions and a luminous horizontal line.
“Polish Pantone – Summer Edition” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Cool, luminous abstraction: soft vertical veils, a horizontal light threshold and deep, sea-like tones below.
“The Voyeur” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Split scene: a cool blue exterior silhouette versus a warm orange interior profile—cinematic play of gaze and light.
“Circles VI” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Cool greys and muted blues form concentric arcs with tiny figures scattered like specks on ice.
“Circles V” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. An aerial, arena-like field: dark architectural top, a gridded light plane with tiny figures, and a lone silhouette in cool blues below.
“Circles VII” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Nocturnal, aerial composition: a black hemispheric mass bordered by a pale ring with tiny scale markers.
“Back to back” (2024) by Izabela Siemiątkowska. Oil on canvas with wax paste. Nocturnal monochrome: a dark hemispheric bowl, a vertical string of lights and concentric reflections like ripples.
“Vistula I” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 90 × 90 cm. Minimal scene: a dark concentric dome above a pale strip with tiny figures—evoking a winter riverbank.
“Vistula II” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 90 × 90 cm. Minimal river scene: a dark concentric vault above a pale bank with tiny figures.
“Imaginare” (2025) by Franciszek Ledóchowski. Acrylic on canvas. Gestural impasto abstraction—vibrant colour streams, organic shapes and a luminous core.
“Spirit” (2025) by Franciszek Ledóchowski. Acrylic on canvas. A luminous nocturne: glowing circular core above semi-floral forms, rich impasto and vibrant colour contrasts.
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“Mu” (2022) by Franciszek Ledóchowski. A gestural, contemplative composition between abstraction and sign—layered paint, organic swirls and a luminous focal point.
“Ethereal Vibes” (2024) by Monika Wałęga. Acrylic on canvas / mixed media with gold accents, 100 × 100 cm. An airy abstraction with layered texture and luminous colour shifts. Signed on verso.
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