Skowronscy Art Gallery

“Polish Pantone – Summer Edition” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Cool, luminous abstraction: soft vertical veils, a horizontal light threshold and deep, sea-like tones below.

“The Voyeur” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Split scene: a cool blue exterior silhouette versus a warm orange interior profile—cinematic play of gaze and light.

“Circles VI” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Cool greys and muted blues form concentric arcs with tiny figures scattered like specks on ice.

“Circles V” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. An aerial, arena-like field: dark architectural top, a gridded light plane with tiny figures, and a lone silhouette in cool blues below.

“Circles VII” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Nocturnal, aerial composition: a black hemispheric mass bordered by a pale ring with tiny scale markers.

“Back to back” (2024) by Izabela Siemiątkowska. Oil on canvas with wax paste. Nocturnal monochrome: a dark hemispheric bowl, a vertical string of lights and concentric reflections like ripples.

“Vistula I” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 90 × 90 cm. Minimal scene: a dark concentric dome above a pale strip with tiny figures—evoking a winter riverbank.

“Vistula II” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 90 × 90 cm. Minimal river scene: a dark concentric vault above a pale bank with tiny figures.

“Imaginare” (2025) by Franciszek Ledóchowski. Acrylic on canvas. Gestural impasto abstraction—vibrant colour streams, organic shapes and a luminous core.

“Spirit” (2025) by Franciszek Ledóchowski. Acrylic on canvas. A luminous nocturne: glowing circular core above semi-floral forms, rich impasto and vibrant colour contrasts.

“Mu” (2022) by Franciszek Ledóchowski. A gestural, contemplative composition between abstraction and sign—layered paint, organic swirls and a luminous focal point.

“Ethereal Vibes” (2024) by Monika Wałęga. Acrylic on canvas / mixed media with gold accents, 100 × 100 cm. An airy abstraction with layered texture and luminous colour shifts. Signed on verso.

“Elephant, 2022” by Akaki – oil on canvas (100×80 cm). A surreal composition featuring an elephant balancing on colorful spheres, imbued with mystery and lightness.

Painting “Polish pantone V” (2024) by Izabela Siemiątkowska is created using oil and wax paste on canvas. Size: 100 × 150 cm. A palette of greys, white and green sets a calm, reflective mood.

Painting “Betonkontakt II” (2023) by Izabela Siemiątkowska is created using oil and wax paste on canvas. The subdued palette of greys and blacks evokes the raw beauty of concrete surfaces and architectural structure.

“Polish Pantone I” (2024) by Izabela Siemiątkowska. Oil on canvas with wax paste. A cool-toned minimalist abstraction with a horizontal light band and textured abrasions.

“Silence in red (White)” (2024) by Roland Kościółek is a monumental acrylic resin sculpture, symbolically referred to as the “Woman in Red”. The elegant, dignified figure combined with the idea of silence evokes long-awaited peace and rest, while inviting open interpretation.

“Balloon XXXIX” (2023) by Amonaria Magda Maciaszek – installation on four plexiglass panels, depicting a balloon in shades of pink, white and cobalt. From the series “Autotelicity of the Road”.

“Moose” (2022) by Magda Maciaszek – acrylic on canvas, figurative work in browns, white and gold. From the “Dichotomy of Personality” series.

“Flaming VIII” (2020) by Magda Maciaszek – acrylic on canvas 120×80 cm, a subtle figurative work with abstract elements, in shades of pink and grey.

“Squirrel” (2022) by Magda Maciaszek (Amonaria). Acrylic on canvas, 120 × 80 cm. Split composition with the titular animal; differing paint handling on each side. Palette of russet, brown, grey, white and gold accents.

“Balloon XVII” (2020) by Magda Maciaszek (Amonaria). Acrylic on canvas, 90 × 90 cm. Expressive piece at the edge of abstraction and figuration; vivid reds, oranges, greens and blues. Painted edges, matte varnish finish.

“In between” (2022) by Matylda Burszta. Mixed media on linen (oil + embroidered elements), 80 × 60 cm. Minimalist portrait on black; a tightly embroidered face emerges from the surface, balancing presence and unease.

“No name Blue” (2023) by Mira Pürschel. Mixed media / acrylic + varnish on 3D canvas, 120 × 100 cm. Minimal monochrome in Parisian blue; layered surface with refined sheen.