Artworks from the category Artworks

“Lady Atom” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies and features a unique colour scheme, depicting a woman in a long dress in a futuristic, biotech world.

“Lady Atom” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies, with a unique colour scheme, depicting a woman in a long dress in a futuristic, biotech-driven world.

“Lux 7707” (2023) by Rafał Wieczorek is a hand-painted abstract acrylic on canvas from the Lux series. Shades of platinum grey create a minimalist study of light, perfect for contemporary living rooms, offices and elegant professional interiors.

“Lux 8813” (2018) by Rafał Wieczorek is a hand-painted abstract acrylic on canvas from the Lux series. Dominant yellow-gold tones create a refined study of light, perfect for contemporary interiors such as a living room, office or elegant practice.

“Lux 0171” (2017) by Rafał Wieczorek is an abstract acrylic painting on canvas from the Lux series, dedicated to the theme of light. The minimalist composition in yellow tones brings a refined accent to contemporary interiors such as a living room, office or practice.

“Organ Concert” (2022) by Rafał Labijak, oil on relief ground (HDF board), 100 × 100 cm. Layered texture orchestrates light and shadow like an organ performance. Exhibited and reproduced in the catalogue “Sztuka kochania…”.

“A Plea to the Moon” (2023) – monotype by Rafał Labijak, oil on cardboard, 57 × 76 cm. An emotional sketch used as a compositional base for later paintings; reproduced in the catalogue “Sztuka kochania…”.

“Fatum” (1999) by Przemysław Tyszkiewicz. Monochrome etching, 50 × 50 cm (square). A nude female figure set within a surreal landscape of hybrid creatures and flora; sun/circular border evokes fate and life’s cycles.

“Seven of My Ribs” (2011) by Przemysław Tyszkiewicz. Monochrome etching, 50 × 50 cm (square). A enthroned male figure encircled by mythic creatures (birds, fish) and flora; star-like layout, deep chiaroscuro, layered symbolism.

“A Wild Sip of Primeval Tea” (2014) by Przemysław Tyszkiewicz. Etching & aquatint on copper, 94 × 67 cm (landscape). A canopy of levitating mushrooms—some bearing architectural motifs (pagoda)—with wild dogs/wolves roaming below; refined chiaroscuro and dreamlike symbolism.

“Meteorology of Accidental Hallucinations” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A meticulously rendered truck beneath a canopy of levitating mushrooms; refined linework, deep chiaroscuro and layered symbolism.

“Statics of the Depths” (2004) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A sofa suspended in darkness, a hovering hummingbird, and twisting tower-like columns—refined chiaroscuro, precise line and dreamlike symbolism.

“At Dawn the Black Ocean Bloomed” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A dreamlike dawn tableau: glowing flowers, a ship entwined with vegetation, a dragon and a bridge/fortress silhouette; refined chiaroscuro and layered symbolism.

“Flowers of the Night” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). Three glowing blossoms under a crescent moon; exquisite chiaroscuro, meticulous detail and dreamlike symbolism.

“Cornflower Moon of the Frost Fields” (2011) by Przemysław Tyszkiewicz. Etching & aquatint, 94 × 67 cm (landscape). A oneiric scene with a winged pig, levitating animals and a monumental bull; exquisite chiaroscuro and layered symbolism.

“Heart of Wrocław” (2016) by Przemysław Tyszkiewicz. Etching & aquatint, 49 × 60 cm (portrait). A monochrome anatomical heart filled with Wrocław’s architecture; exquisite chiaroscuro and meticulous line work evoke a dreamlike city-portrait.

“Moon Garden” (2020) by Przemysław Tyszkiewicz. Etching & aquatint, 40 × 53 cm (portrait). An oneiric scene where hyper-detailed roses emerge from darkness; symbolism and chiaroscuro shape a quiet unease.

“Lake Płaskie” (2024) by Piotr Trusik. Oil on canvas, 21 × 30 cm (portrait). An intimate painterly note of nature from the Jerzwałd Plein Air 2024—holding light, water and time in a fleeting study.

“Keepsake” (2024) by Piotr Trusik. Oil on panel, 30.5 × 21 cm (landscape). A fleeting painterly note of nature from the Jerzwałd Plein Air 2024 — an attempt to hold light, time and the memory of seeing.

“Events” (2024) by Piotr Trusik. Oil on canvas, 30 × 40 cm (portrait). A painterly meditation on women’s freedom and bodily autonomy; dense, alien matter contrasts with a tender gaze to shape an ambiguous narrative.

“Found 2” (2024) by Piotr Trusik. Oil on canvas, 34.5 × 40.5 cm (portrait). A fleeting painterly note of nature from the Jerzwałd Plein Air 2024 — on the ephemerality of looking and the memory of place.

“Found 1” (2024) by Piotr Trusik. Oil on canvas, 30 × 24 cm (landscape). A fleeting painterly note of nature from Jerzwałd Plein Air 2024 — on the ephemerality of looking and the memory of place.

“Between 4” (2024) by Piotr Trusik. Oil on canvas, artist’s technique, 145 × 115 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Between 3” (2024) by Piotr Trusik. Oil on canvas, artist’s technique, 145 × 115 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).