Artworks from the category Paintings for study & office

“ACT 2026, From the Madonnas Series, PART OF LIGHT NO.2” by Malina Wieczorek is a subtle composition where a delicate female torso outline and an organic centre create an atmosphere of intimacy, stillness, and inner light. Acrylic and oil on canvas – a meditative work with strong collector appeal.

“ACT 2026, From the Madonnas Series, PART OF LIGHT NO.1” by Malina Wieczorek is an intimate painting in which a barely outlined female torso becomes a symbol of life, origin, and care. Delicate contour, linen texture, and dark organic clusters create a meditative and deeply symbolic atmosphere. Acrylic and oil on canvas, 50 × 50 cm, 2026.

“Scream” (2025) by Roch Krysa is an acrylic on canvas (50 × 60 × 4 cm). A dramatic contemporary portrait emerging from shadow, balancing figurative expression and surreal tension.

“Head” (2025) by Roch Krysa is an acrylic on canvas (50 × 60 × 4 cm). A warm-toned expressive portrait combining impressionism, figurative painting and surrealism.

Painting “Cage” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). The surreal portrait shows a human figure emerging from a red mist, enclosed within a geometric cage-like structure.

“Face of War” (2025) by Roch Krysa is an acrylic painting on canvas (72 × 102 × 4 cm). The expressive portrait merges realism and surrealism, presenting a red, fragmented face as an allegory of conflict and psychological tension.

“Statue 3” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). The figurative male nude emerges through abstract painterly structures, defined by warm, intense colors and expressive gestures.

“Statue 3” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). A figurative male nude emerges from an impressionistic abstract background, blending realism, figurative painting and surreal expression.

“Torch” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). A warm-toned figurative composition exploring light, movement and emotional expression.

“War” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). This allegorical portrait blends surrealism with expressive color, presenting the human face as a symbol of tension and transformation.

“Seated Woman” (2025) by Małgorzata Kleyna-Sobczak is a minimalist Japanese pen drawing defined by elegant lines and contemporary figurative simplicity.

“Portrait” (2025) by Małgorzata Kleyna-Sobczak is a refined minimalist drawing created with a Japanese pen. A delicate line shapes a calm facial study, combining elegance with contemporary figurative aesthetics.

“Resting” (2025) by Małgorzata Klejna-Sobczak is a refined minimalist drawing created with a Japanese pen. A single fluid line defines a calm feminine silhouette, combining elegance, balance and contemporary figurative aesthetics.

“Statue” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). The figurative male nude emerges from deep shadow, balancing realism with surreal abstraction.

“Frenzy” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). A grotesque human portrait rendered in earthy green-orange tones merges realism with surreal deformation.

“Fire” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). An expressive portrait rendered in warm luminous tones merges expressionism, figurative painting and surreal abstraction.

“Mother” (2025) by Małgorzata Klejna-Sobczak is a minimalist Japanese pen drawing defined by a refined, calligraphic line. The delicate composition evokes intimacy and emotional depth, presenting motherhood through contemporary minimalist aesthetics.

“Silence” (2023) by Beata Walczak is an acrylic painting on canvas showing a pensive woman in a purple sweater emerging from a dark, leafy landscape. A green branch hides part of her face, while distant white figures recede into the background, evoking a poetic reflection on quietness, memory and inner emotions.

“Roots of the Secret” (2025) by Beata Walczak is an acrylic painting on canvas showing two young women hidden among lush plants, one whispering into the other’s ear. The split composition – above and below ground – suggests that every secret has deep roots, invisible yet very much alive.

“What Was, Was Not” (2022) by Beata Walczak is an acrylic painting on canvas showing a couple embracing in a lush, storybook forest filled with patterned leaves and pink fruit. Vivid greens and the poetic title evoke memory, tenderness and the fleeting nature of time.