Skowronscy Art Gallery

“Boats and Cutters” (2009) by Anna Kordowicz-Markuszewska – an expressive abstract painting created with mixed media (acrylic and oil on canvas). A dynamic, hand-painted composition full of movement and emotion.

“Boats and Cutters 2” (2009) by Anna Kordowicz-Markuszewska – an expressive oil painting inspired by marine forms. A vivid abstraction combining rhythm, texture and emotional depth.

“Fiddler on the Roof” (2019) by Lech Majewski. Offset print, 68 × 98 cm (framed 70 × 100 cm). Limited reproduction; one signed copy available.

“Heritage” (2022) by Lech Bator. Mixed media on canvas, 64 × 90 cm. Hand-painted, in a decorative frame integral to the concept. References pop culture, comics and graffiti.

“HER MESS” (2022) by Lech Bator. Oil on canvas, 130 × 100 cm, with a decorative frame integral to the concept. Pop-culture symbolism, comic and graffiti accents, surreal juxtapositions.

“REFLECTION” (2022) by Lech Bator. Oil on canvas, 60 × 80 cm, with a decorative frame integral to the concept. Pop-culture symbolism, comic & graffiti accents, surreal juxtapositions.

“Copenhagen Expression 2” (2017) by Krzysztof Ludwin. Acrylic on canvas, size 130 × 100 cm. A vivid cityscape capturing Northern light and urban rhythm.

“Barcelona” (2018) by Krzysztof Ludwin. Acrylic on canvas, size 120 × 100 cm. A cityscape capturing Mediterranean light and color.

“Skyscrapers of the World” (2018) by Krzysztof Ludwin. Acrylic on canvas, 120 × 100 cm. An expressive cityscape of light, reflection and vertical rhythm.

White Ceramic Mug. 325ml

“Krakry” by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. A cool-toned abstraction with textured “cracks” and a soft yellow light band.

“Polish Pantone II” (2024) by Izabela Siemiątkowska. Oil on canvas with wax paste. Cool-toned minimalist abstraction with vertical bands, delicate abrasions and a luminous horizontal line.

“Polish Pantone – Summer Edition” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Cool, luminous abstraction: soft vertical veils, a horizontal light threshold and deep, sea-like tones below.

“The Voyeur” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Split scene: a cool blue exterior silhouette versus a warm orange interior profile—cinematic play of gaze and light.

“Circles VI” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Cool greys and muted blues form concentric arcs with tiny figures scattered like specks on ice.

“Circles V” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. An aerial, arena-like field: dark architectural top, a gridded light plane with tiny figures, and a lone silhouette in cool blues below.

“Circles VII” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Nocturnal, aerial composition: a black hemispheric mass bordered by a pale ring with tiny scale markers.

“Back to back” (2024) by Izabela Siemiątkowska. Oil on canvas with wax paste. Nocturnal monochrome: a dark hemispheric bowl, a vertical string of lights and concentric reflections like ripples.

“Vistula I” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 90 × 90 cm. Minimal scene: a dark concentric dome above a pale strip with tiny figures—evoking a winter riverbank.

“Vistula II” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 90 × 90 cm. Minimal river scene: a dark concentric vault above a pale bank with tiny figures.