Artworks from the category Painting

“Beach” (2020) by Prof. Mariusz Woszczyński. Acrylic on canvas, 100 × 50 cm. A reportage-like slice of everyday life: beachgoers and a cyclist rendered with expressive brushwork and vivid colour harmony.

“Mu” (2022) by Franciszek Ledóchowski. A gestural, contemplative composition between abstraction and sign—layered paint, organic swirls and a luminous focal point.

“Spirit” (2025) by Franciszek Ledóchowski. Acrylic on canvas. A luminous nocturne: glowing circular core above semi-floral forms, rich impasto and vibrant colour contrasts.

“Imaginare” (2025) by Franciszek Ledóchowski. Acrylic on canvas. Gestural impasto abstraction—vibrant colour streams, organic shapes and a luminous core.

“Insect” (2023) by Magda Maciaszek – installation on four plexiglass panels, part of the “Dichotomy of Personality” series.

“Thirst” (2022) by Ela Kubat is an abstract acrylic painting created with the pouring art technique. Fluid blues and organic forms express energy and depth. Presented in a raw pine float frame.

“Thirsty Tree” (2022) by Ela Kubat is an abstract painting created with the acrylic pouring technique. Shades of blue and organic shapes merge into fluid harmony, enhanced by a float frame that adds spatial depth.

“Motion 1” (2022) by Ela Kubat is an abstract seascape created using the pouring art technique. Flowing acrylic layers evoke the motion of waves, clouds and reflections of light. The work is framed in an elegant 3D structure.

“Motion 2” (2022) by Ela Kubat is an acrylic painting created using the pouring art technique — where fluid paint layers flow across the canvas, forming spontaneous, organic patterns. The work is dominated by serene shades of blue and presented in a 3D frame.

“Decadence” (2005) by Bartłomiej Martens is an expressive and symbolic composition reflecting on decay, transformation and rebirth. The painting invites the viewer to contemplate beauty at the edge of dissolution.

“Metaphysics” (2017) by Bartłomiej Martens is a painterly meditation on existence and transience. Combining figuration and abstraction, the artist explores the boundaries of being, light and matter through symbolic depth.

“Inner Violation” (2018) by Bartłomiej Martens is a powerful, introspective abstraction. Layers of colour, gesture and light create palpable tension that moves from turmoil to catharsis.

“Anticipation” (2020) by Bartłomiej Martens is an expressive, atmospheric composition blending painterly tradition with modern abstraction. A reflection on time, stillness and emotional presence.

“Absorptive Idyll” (2000) by Bartłomiej Martens blends classical sensitivity with a contemporary abstract language. Delicate colour transitions and balanced composition create a calm, poetic ambience for any interior.

“Egocentrism” (2014) by Bartłomiej Martens – an expressive, symbolic painting exploring human identity and inner conflict. A visual reflection on solitude, ego and self-awareness.

“The Hunt” (2022) by Bartłomiej Martens – a dynamic mixed-media painting combining acrylic, oil, tempera and ink. A study of instinct, energy and the timeless tension between humanity and nature.

“Polish Pantone – Summer Edition” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Cool, luminous abstraction: soft vertical veils, a horizontal light threshold and deep, sea-like tones below.

“The Voyeur” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Split scene: a cool blue exterior silhouette versus a warm orange interior profile—cinematic play of gaze and light.

“Circles VI” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Cool greys and muted blues form concentric arcs with tiny figures scattered like specks on ice.

“Circles V” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. An aerial, arena-like field: dark architectural top, a gridded light plane with tiny figures, and a lone silhouette in cool blues below.