Artworks from the category Painting

“Nude Signs 1” (2020) by Malina Wieczorek is an intimate abstract nude, in which the body is reduced to a sign – a light, textured rectangle set against a warm golden-ochre background. Minimalist form and subtle colour contrasts create a contemplative mood.

“Nude in the Grass 3” (2024) by Malina Wieczorek is an atmospheric work from the artist’s series of nudes in nature. The female figure blends with the rhythm of grasses and foliage, creating a composition that is both calm and sensual, with a distinctly contemporary feel.

“Nude in the Grass 1” (2024) by Malina Wieczorek is an intimate 50 × 50 cm painting in which a subtle female nude is set within a natural field of grasses. The combination of soft figuration and organic surroundings creates a calm, contemplative atmosphere.

“Nude” (2023) by Malina Wieczorek is a subtle study of the human body in a contemporary painterly form. Delicate light and shadow modelling emphasises the lines of the figure, creating an image that radiates calm, sensitivity and elegance.

“Nude, Woman and Mars” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic/oil/pencil), 100 × 100 cm. From the series Women and Planets—femininity as a force balancing strength and sensitivity; Mars-red accents, vigorous gesture, layered texture.

“Grey Composition” (2024) by Roman Goss is an abstract oil painting on canvas dominated by a muted grey-blue background. Bright accents of yellow, white, black, brown and light green appear in bold, textured colour blocks, creating a layered, almost architectural composition.

“Composition 17” (2024) by Roman Goss is an abstract oil painting on canvas built from horizontal and vertical colour blocks. A warm, earthy palette of browns, beiges, yellows, whites and light greens, combined with rich texture, creates a strong sense of depth, light and structure.

“Vox” (2024) by Roman Goss is an oil painting on canvas that contrasts warm reds and browns with cool, light green colour fields. Rhythmic geometric forms and rich texture create a sense of dynamic struggle between light and shadow.

“Miracle” (2024) by Roman Goss is an oil painting on canvas depicting a semi-abstract landscape. Layered colours, rich texture and muted blue tones create a calm, almost meditative space where the play of light and shadow is central.

“Lux 7707” (2023) by Rafał Wieczorek is a hand-painted abstract acrylic on canvas from the Lux series. Shades of platinum grey create a minimalist study of light, perfect for contemporary living rooms, offices and elegant professional interiors.

“Lux 8813” (2018) by Rafał Wieczorek is a hand-painted abstract acrylic on canvas from the Lux series. Dominant yellow-gold tones create a refined study of light, perfect for contemporary interiors such as a living room, office or elegant practice.

“Lux 0171” (2017) by Rafał Wieczorek is an abstract acrylic painting on canvas from the Lux series, dedicated to the theme of light. The minimalist composition in yellow tones brings a refined accent to contemporary interiors such as a living room, office or practice.

“Organ Concert” (2022) by Rafał Labijak, oil on relief ground (HDF board), 100 × 100 cm. Layered texture orchestrates light and shadow like an organ performance. Exhibited and reproduced in the catalogue “Sztuka kochania…”.

“Lake Płaskie” (2024) by Piotr Trusik. Oil on canvas, 21 × 30 cm (portrait). An intimate painterly note of nature from the Jerzwałd Plein Air 2024—holding light, water and time in a fleeting study.

“Keepsake” (2024) by Piotr Trusik. Oil on panel, 30.5 × 21 cm (landscape). A fleeting painterly note of nature from the Jerzwałd Plein Air 2024 — an attempt to hold light, time and the memory of seeing.

“Events” (2024) by Piotr Trusik. Oil on canvas, 30 × 40 cm (portrait). A painterly meditation on women’s freedom and bodily autonomy; dense, alien matter contrasts with a tender gaze to shape an ambiguous narrative.

“Found 2” (2024) by Piotr Trusik. Oil on canvas, 34.5 × 40.5 cm (portrait). A fleeting painterly note of nature from the Jerzwałd Plein Air 2024 — on the ephemerality of looking and the memory of place.

“Found 1” (2024) by Piotr Trusik. Oil on canvas, 30 × 24 cm (landscape). A fleeting painterly note of nature from Jerzwałd Plein Air 2024 — on the ephemerality of looking and the memory of place.

“Between 4” (2024) by Piotr Trusik. Oil on canvas, artist’s technique, 145 × 115 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Between 3” (2024) by Piotr Trusik. Oil on canvas, artist’s technique, 145 × 115 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Between 2” (2024) by Piotr Trusik. Oil on canvas, 40 × 34 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Between 1” (2024) by Piotr Trusik. Oil on canvas, 35 × 35 cm. A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion.

“Hypnos” (2022) from the Myths & Legends series by Piotr Piecko. Mixed media (oil, acrylic, gold leaf) on canvas, 80 × 100 cm (landscape). A contemporary portrait of Hypnos, the Greek god of sleep. Signed LR; American Box frame.

“Aphrodite” (2022) from the Myths & Legends series by Piotr Piecko. Mixed media (oil, acrylic, gold leaf) on canvas, 150 × 100 cm. A contemporary portrait of the goddess of love and beauty, with luminous gold accents. Signed LR (Polish: LL on the front).