New artworks

“Silence” (2023) by Beata Walczak is an acrylic painting on canvas showing a pensive woman in a purple sweater emerging from a dark, leafy landscape. A green branch hides part of her face, while distant white figures recede into the background, evoking a poetic reflection on quietness, memory and inner emotions.

“Roots of the Secret” (2025) by Beata Walczak is an acrylic painting on canvas showing two young women hidden among lush plants, one whispering into the other’s ear. The split composition – above and below ground – suggests that every secret has deep roots, invisible yet very much alive.

“What Was, Was Not” (2022) by Beata Walczak is an acrylic painting on canvas showing a couple embracing in a lush, storybook forest filled with patterned leaves and pink fruit. Vivid greens and the poetic title evoke memory, tenderness and the fleeting nature of time.

“Everything Has Its Time” (2023) by Beata Walczak is an acrylic painting on canvas showing a resting figure draped over a turquoise zebra-like rocking horse, surrounded by lush patterned leaves and a branching tree on a magenta background. Vivid colours and dreamlike imagery evoke childhood, the rhythm of nature and the right moment to pause.

“Chronic Attraction” (2022) by Beata Walczak is an acrylic painting on canvas in which an acrobatically posed female figure meets a lush, almost mythical plant. Vivid greens, a red patterned pot, a snake and an apple create a playful, contemporary take on temptation and irresistible attraction.

“ACT ECCE HOMO purple” (2023) by Malina Wieczorek is a large 120 × 120 cm acrylic and oil painting on canvas. A powerful nude set in deep purple tones evokes the idea of Ecce Homo, highlighting both the fragility and dignity of the human body.

“Nude Signs 1” (2020) by Malina Wieczorek is an intimate abstract nude, in which the body is reduced to a sign – a light, textured rectangle set against a warm golden-ochre background. Minimalist form and subtle colour contrasts create a contemplative mood.

“Nude in the Grass 3” (2024) by Malina Wieczorek is an atmospheric work from the artist’s series of nudes in nature. The female figure blends with the rhythm of grasses and foliage, creating a composition that is both calm and sensual, with a distinctly contemporary feel.

“Nude in the Grass 1” (2024) by Malina Wieczorek is an intimate 50 × 50 cm painting in which a subtle female nude is set within a natural field of grasses. The combination of soft figuration and organic surroundings creates a calm, contemplative atmosphere.

“ACT – Woman from Sirius, Terra Ignota” (2025) by Malina Wieczorek is a 100 × 100 cm oil and acrylic painting on canvas. The artist combines a female nude with a cosmic narrative, presenting a woman from Sirius set against an unknown landscape – a true terra ignota.

“Nude” (2023) by Malina Wieczorek is a subtle study of the human body in a contemporary painterly form. Delicate light and shadow modelling emphasises the lines of the figure, creating an image that radiates calm, sensitivity and elegance.

“Mu” (2022) by Franciszek Ledóchowski. A gestural, contemplative composition between abstraction and sign—layered paint, organic swirls and a luminous focal point.

“Spirit” (2025) by Franciszek Ledóchowski. Acrylic on canvas. A luminous nocturne: glowing circular core above semi-floral forms, rich impasto and vibrant colour contrasts.

“Imaginare” (2025) by Franciszek Ledóchowski. Acrylic on canvas. Gestural impasto abstraction—vibrant colour streams, organic shapes and a luminous core.

“Vistula II” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 90 × 90 cm. Minimal river scene: a dark concentric vault above a pale bank with tiny figures.

“Vistula I” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 90 × 90 cm. Minimal scene: a dark concentric dome above a pale strip with tiny figures—evoking a winter riverbank.

“Back to back” (2024) by Izabela Siemiątkowska. Oil on canvas with wax paste. Nocturnal monochrome: a dark hemispheric bowl, a vertical string of lights and concentric reflections like ripples.

“Circles VII” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Nocturnal, aerial composition: a black hemispheric mass bordered by a pale ring with tiny scale markers.

“Circles V” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. An aerial, arena-like field: dark architectural top, a gridded light plane with tiny figures, and a lone silhouette in cool blues below.

“Circles VI” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Cool greys and muted blues form concentric arcs with tiny figures scattered like specks on ice.