Skowronscy Art Gallery

“Blue eyes” by Krzysztof Stępniewski. A realistic portrait/nude painted on canvas, rendered in a vivid, colourful palette. Approx. 120 cm.

“Vastness of Silence” (2025) by Piotr Horodyński. Oil on canvas, 61 × 50 cm. A fantastical, surreal atmosphere in muted blues and navies evoking ice, arctic space and an evening sky; intimate, contemplative mood.

“Encounters III” (2023) by Magdalena Laskowska. Acrylic on canvas. A poetic lawn scene: a blue sculpture and a reader, rendered in a minimalist composition.

“Evening Lights” (2022) by Magdalena Laskowska. Acrylic on canvas, 50 × 40 cm. A quiet urban scene at dusk with geometric houses, a lamppost and warm window glow.

“Evening by the River” (2022) by Magdalena Laskowska. Acrylic on canvas, 92 × 73 cm. A tranquil landscape in golden dusk tones with mirrored trees on still water.

“Big Blue 16” (2024) by Magdalena Purol. Acrylic on canvas, 50 × 50 cm. Saturated abstract in deep and vivid blues. Price: 2200 PLN.

Painting “HG01” (2023) by Grzegorz Klimek is a geometric abstract composition in shades of pink and turquoise. The artist’s original technique gives the surface a subtle, pulsating depth and light vibration.

Painting “Stronghold” (2024) by Grzegorz Klimek is a geometric abstract created in the artist’s unique technique on canvas. Structured forms and textured layers evoke the impression of a cityscape or architectural map.

“Between 1” (2024) by Piotr Trusik. Oil on canvas, 35 × 35 cm. A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion.

“Between 2” (2024) by Piotr Trusik. Oil on canvas, 40 × 34 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Found 1” (2024) by Piotr Trusik. Oil on canvas, 30 × 24 cm (landscape). A fleeting painterly note of nature from Jerzwałd Plein Air 2024 — on the ephemerality of looking and the memory of place.

“Between 3” (2024) by Piotr Trusik. Oil on canvas, artist’s technique, 145 × 115 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Keepsake” (2024) by Piotr Trusik. Oil on panel, 30.5 × 21 cm (landscape). A fleeting painterly note of nature from the Jerzwałd Plein Air 2024 — an attempt to hold light, time and the memory of seeing.

“Events” (2024) by Piotr Trusik. Oil on canvas, 30 × 40 cm (portrait). A painterly meditation on women’s freedom and bodily autonomy; dense, alien matter contrasts with a tender gaze to shape an ambiguous narrative.

“Lake Płaskie” (2024) by Piotr Trusik. Oil on canvas, 21 × 30 cm (portrait). An intimate painterly note of nature from the Jerzwałd Plein Air 2024—holding light, water and time in a fleeting study.

“Between 4” (2024) by Piotr Trusik. Oil on canvas, artist’s technique, 145 × 115 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Found 2” (2024) by Piotr Trusik. Oil on canvas, 34.5 × 40.5 cm (portrait). A fleeting painterly note of nature from the Jerzwałd Plein Air 2024 — on the ephemerality of looking and the memory of place.

“Rybka, 2022” by Akaki – oil on canvas (100×50 cm). A surreal scene of two figures with a large fish, full of humor and vivid color contrasts.

“Train, 2021” by Akaki – oil on canvas. A surreal, dynamic composition of a colorful train, with vivid contrasts and dreamlike atmosphere.

“Untitled” (2024) by Dorota Bojanowska is an expressive oil painting combining vivid colour, text elements and graphic gestures. The work captures emotional energy through layered visual narration.

“Transcendental Landscape” (2024) by Dorota Bojanowska is an expressive oil painting where vivid colour and abstract form merge into a vision of a spiritual, energetic world.

Painting “Polish pantone IV” (2024) by Izabela Siemiątkowska is made with oil and wax paste on canvas. The dark silhouettes of plants stand out against a soft gradient background, evoking a calm, meditative atmosphere.

Painting “Bridges II” (2023) by Izabela Siemiątkowska is a work created with oil and wax-paste on canvas. Size: 100 × 150 cm. The palette of greys and touches of blue evoke a reflective and architectural atmosphere.

“Ciepło cieplej” (2021) by Paulina Katarzyna Zielska. Oil on canvas, 90 × 90 cm. A warm-hued landscape at sunset: a road leading toward the mountains, rolling hills and fiery light shaping the terrain.

“Zakopianka” (2021) by Paulina Katarzyna Zielska. Oil on canvas, 90 × 90 cm. A dusk cityscape: an empty road leading into the sunset, a flame neon on the right, soft pink–orange–blue hues contrasted with dark tree and sign silhouettes.

“There, through the Sandy Hills” (2024) by Paulina Katarzyna Zielska. Oil on canvas, 40 × 30 cm. A small contemplative landscape in pinks and violets; gentle textures and distant mountain contours.

“Act – The Fruit of Femininity” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic, oil, pastels, pencil), 100 × 170 cm. A contemporary nude as a statement on female energy—sensuality meets agency.

“Nude, Woman and the Sun” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic, oil, pastel, pencil), 120 × 130 cm. A contemporary nude as a carrier of emotion and spirituality—body reduced to sign and form.

“Lady Atom” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies, with a unique colour scheme, depicting a woman in a long dress in a futuristic, biotech-driven world.

“Lady Atom” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies and features a unique colour scheme, depicting a woman in a long dress in a futuristic, biotech world.

“Lady Sky” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies and features a unique colour scheme, depicting a beautiful, elegant and confident woman of extraterrestrial origin.

“Old Lady” (2024) by Roland Kościółek is a glazed ceramic sculpture whose form is inspired by ancient Egyptian art. A unique colour scheme and free interpretation of the theme make it a distinctive contemporary collector’s piece.

“Poison Lady” (2024) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. It portrays an apparently delicate and elegant woman who hides a dark secret – you can get to know her, but never fully reveal it.

“Last Parrot” (2024) by Roland Kościółek is a glazed ceramic sculpture depicting a macaw parrot with an accentuated skull motif. Part of a series of animal sculptures, it blends animal portraiture with a symbolic reflection on mortality.

“Dialogi 109 vs 109” (2023) by Andrzej Ciołek – oil on canvas, 85 × 95 cm. A symbolic call to dialogue despite human differences.

“Blue Monday” by Agata Strzemecka – acrylic on canvas (76×102 cm, 2022). A reflection on mass culture, psychology, and the contradictions of everyday life.