Skowronscy Art Gallery

“Blue eyes” by Krzysztof Stępniewski. A realistic portrait/nude painted on canvas, rendered in a vivid, colourful palette. Approx. 120 cm.

“Vastness of Silence” (2025) by Piotr Horodyński. Oil on canvas, 61 × 50 cm. A fantastical, surreal atmosphere in muted blues and navies evoking ice, arctic space and an evening sky; intimate, contemplative mood.

“Encounters III” (2023) by Magdalena Laskowska. Acrylic on canvas. A poetic lawn scene: a blue sculpture and a reader, rendered in a minimalist composition.

“Evening Lights” (2022) by Magdalena Laskowska. Acrylic on canvas, 50 × 40 cm. A quiet urban scene at dusk with geometric houses, a lamppost and warm window glow.

“Evening by the River” (2022) by Magdalena Laskowska. Acrylic on canvas, 92 × 73 cm. A tranquil landscape in golden dusk tones with mirrored trees on still water.

“Big Blue 16” (2024) by Magdalena Purol. Acrylic on canvas, 50 × 50 cm. Saturated abstract in deep and vivid blues. Price: 2200 PLN.

Painting “HG01” (2023) by Grzegorz Klimek is a geometric abstract composition in shades of pink and turquoise. The artist’s original technique gives the surface a subtle, pulsating depth and light vibration.

Painting “Stronghold” (2024) by Grzegorz Klimek is a geometric abstract created in the artist’s unique technique on canvas. Structured forms and textured layers evoke the impression of a cityscape or architectural map.

“Between 1” (2024) by Piotr Trusik. Oil on canvas, 35 × 35 cm. A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion.

“Between 2” (2024) by Piotr Trusik. Oil on canvas, 40 × 34 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Found 1” (2024) by Piotr Trusik. Oil on canvas, 30 × 24 cm (landscape). A fleeting painterly note of nature from Jerzwałd Plein Air 2024 — on the ephemerality of looking and the memory of place.

“Between 3” (2024) by Piotr Trusik. Oil on canvas, artist’s technique, 145 × 115 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Keepsake” (2024) by Piotr Trusik. Oil on panel, 30.5 × 21 cm (landscape). A fleeting painterly note of nature from the Jerzwałd Plein Air 2024 — an attempt to hold light, time and the memory of seeing.

“Events” (2024) by Piotr Trusik. Oil on canvas, 30 × 40 cm (portrait). A painterly meditation on women’s freedom and bodily autonomy; dense, alien matter contrasts with a tender gaze to shape an ambiguous narrative.

“Lake Płaskie” (2024) by Piotr Trusik. Oil on canvas, 21 × 30 cm (portrait). An intimate painterly note of nature from the Jerzwałd Plein Air 2024—holding light, water and time in a fleeting study.

“Between 4” (2024) by Piotr Trusik. Oil on canvas, artist’s technique, 145 × 115 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Found 2” (2024) by Piotr Trusik. Oil on canvas, 34.5 × 40.5 cm (portrait). A fleeting painterly note of nature from the Jerzwałd Plein Air 2024 — on the ephemerality of looking and the memory of place.

“Rybka, 2022” by Akaki – oil on canvas (100×50 cm). A surreal scene of two figures with a large fish, full of humor and vivid color contrasts.

“Train, 2021” by Akaki – oil on canvas. A surreal, dynamic composition of a colorful train, with vivid contrasts and dreamlike atmosphere.

“Untitled” (2024) by Dorota Bojanowska is an expressive oil painting combining vivid colour, text elements and graphic gestures. The work captures emotional energy through layered visual narration.

“Transcendental Landscape” (2024) by Dorota Bojanowska is an expressive oil painting where vivid colour and abstract form merge into a vision of a spiritual, energetic world.

Painting “Polish pantone IV” (2024) by Izabela Siemiątkowska is made with oil and wax paste on canvas. The dark silhouettes of plants stand out against a soft gradient background, evoking a calm, meditative atmosphere.

Painting “Bridges II” (2023) by Izabela Siemiątkowska is a work created with oil and wax-paste on canvas. Size: 100 × 150 cm. The palette of greys and touches of blue evoke a reflective and architectural atmosphere.

“Ciepło cieplej” (2021) by Paulina Katarzyna Zielska. Oil on canvas, 90 × 90 cm. A warm-hued landscape at sunset: a road leading toward the mountains, rolling hills and fiery light shaping the terrain.

“Zakopianka” (2021) by Paulina Katarzyna Zielska. Oil on canvas, 90 × 90 cm. A dusk cityscape: an empty road leading into the sunset, a flame neon on the right, soft pink–orange–blue hues contrasted with dark tree and sign silhouettes.

“There, through the Sandy Hills” (2024) by Paulina Katarzyna Zielska. Oil on canvas, 40 × 30 cm. A small contemplative landscape in pinks and violets; gentle textures and distant mountain contours.

“Act – The Fruit of Femininity” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic, oil, pastels, pencil), 100 × 170 cm. A contemporary nude as a statement on female energy—sensuality meets agency.

“Nude, Woman and the Sun” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic, oil, pastel, pencil), 120 × 130 cm. A contemporary nude as a carrier of emotion and spirituality—body reduced to sign and form.

“Lady Atom” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies, with a unique colour scheme, depicting a woman in a long dress in a futuristic, biotech-driven world.

“Lady Atom” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies and features a unique colour scheme, depicting a woman in a long dress in a futuristic, biotech world.

“Lady Sky” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies and features a unique colour scheme, depicting a beautiful, elegant and confident woman of extraterrestrial origin.

“Old Lady” (2024) by Roland Kościółek is a glazed ceramic sculpture whose form is inspired by ancient Egyptian art. A unique colour scheme and free interpretation of the theme make it a distinctive contemporary collector’s piece.

“Poison Lady” (2024) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. It portrays an apparently delicate and elegant woman who hides a dark secret – you can get to know her, but never fully reveal it.

“Last Parrot” (2024) by Roland Kościółek is a glazed ceramic sculpture depicting a macaw parrot with an accentuated skull motif. Part of a series of animal sculptures, it blends animal portraiture with a symbolic reflection on mortality.

“Dialogi 109 vs 109” (2023) by Andrzej Ciołek – oil on canvas, 85 × 95 cm. A symbolic call to dialogue despite human differences.

“Blue Monday” by Agata Strzemecka – acrylic on canvas (76×102 cm, 2022). A reflection on mass culture, psychology, and the contradictions of everyday life.

“Aurora” (2022) by Matylda Burszta. Mixed media—collage and oil on canvas, 90 × 120 cm. A romantic, cinematic portrait of a woman—elusive like the aurora; layered surface, chromatic glows and flickers of light.

“Shade of polo” by Agata Strzemecka – acrylic on canvas (90×60 cm, 2024). A minimalist depiction of a rider on horseback, defined by light and shadow.

“Grey Composition” (2024) by Roman Goss is an abstract oil painting on canvas dominated by a muted grey-blue background. Bright accents of yellow, white, black, brown and light green appear in bold, textured colour blocks, creating a layered, almost architectural composition.

“Composition 17” (2024) by Roman Goss is an abstract oil painting on canvas built from horizontal and vertical colour blocks. A warm, earthy palette of browns, beiges, yellows, whites and light greens, combined with rich texture, creates a strong sense of depth, light and structure.

“Moon Garden” (2020) by Przemysław Tyszkiewicz. Etching & aquatint, 40 × 53 cm (portrait). An oneiric scene where hyper-detailed roses emerge from darkness; symbolism and chiaroscuro shape a quiet unease.

“Heart of Wrocław” (2016) by Przemysław Tyszkiewicz. Etching & aquatint, 49 × 60 cm (portrait). A monochrome anatomical heart filled with Wrocław’s architecture; exquisite chiaroscuro and meticulous line work evoke a dreamlike city-portrait.

“Fatum” (1999) by Przemysław Tyszkiewicz. Monochrome etching, 50 × 50 cm (square). A nude female figure set within a surreal landscape of hybrid creatures and flora; sun/circular border evokes fate and life’s cycles.

“Seven of My Ribs” (2011) by Przemysław Tyszkiewicz. Monochrome etching, 50 × 50 cm (square). A enthroned male figure encircled by mythic creatures (birds, fish) and flora; star-like layout, deep chiaroscuro, layered symbolism.

“Cornflower Moon of the Frost Fields” (2011) by Przemysław Tyszkiewicz. Etching & aquatint, 94 × 67 cm (landscape). A oneiric scene with a winged pig, levitating animals and a monumental bull; exquisite chiaroscuro and layered symbolism.

“Flowers of the Night” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). Three glowing blossoms under a crescent moon; exquisite chiaroscuro, meticulous detail and dreamlike symbolism.

“At Dawn the Black Ocean Bloomed” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A dreamlike dawn tableau: glowing flowers, a ship entwined with vegetation, a dragon and a bridge/fortress silhouette; refined chiaroscuro and layered symbolism.

“Statics of the Depths” (2004) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A sofa suspended in darkness, a hovering hummingbird, and twisting tower-like columns—refined chiaroscuro, precise line and dreamlike symbolism.

“Meteorology of Accidental Hallucinations” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A meticulously rendered truck beneath a canopy of levitating mushrooms; refined linework, deep chiaroscuro and layered symbolism.

“A Wild Sip of Primeval Tea” (2014) by Przemysław Tyszkiewicz. Etching & aquatint on copper, 94 × 67 cm (landscape). A canopy of levitating mushrooms—some bearing architectural motifs (pagoda)—with wild dogs/wolves roaming below; refined chiaroscuro and dreamlike symbolism.

Unique artistic print on canvas – linocut with gilding, full of subtle emotions and depth.

Unique linocut with gilding – an intimate record of motherhood, full of emotion and artistic expression.

Unique linocut “Motherhood_20” – an emotional record of everyday life, printed on Zerkall 250g paper.

Unique print “Okruchy_45” – linocut with gilding and mixed media on canvas, full of symbolism and emotion.

Unique print “Okruchy_44” – linocut on canvas with gilding, full of emotion and subtle symbolism.

Unique print “Okruchy_43” – linocut on canvas with gilding, full of emotion and artistic depth.

Unique print “Okruchy_42” – linocut with drawing and mixed media on canvas, full of subtlety and meaning.

Unique print “Okruchy_41” – linocut on canvas with gilding and mixed media, full of emotion and symbolism.

Unique print “Okruchy_40” – linocut with gilding and spray on canvas, full of expression and symbolism.

Unique print “Okruchy_39” – linocut combined with drawing and spray on canvas, full of expression and symbolism.

Unique print “Okruchy_38” – linocut with pastel and gilding on canvas, an emotional reflection on fragility and motherhood.

Unique print “Okruchy_37” – linocut on canvas enriched with pencil drawing and gilding, a refined fusion of tradition and modernity.

Unique print “Okruchy_49” – linocut on Zerkall paper with gilding, an emotional reflection on fragility and motherhood.

Unique print “Okruchy_48” – linocut on Zerkall paper, enriched with pastel and gilding. A refined blend of tradition and modernity.

Unique print “Okruchy_47” – linocut on Zerkall paper with gilding, a metaphor of fragility, chaos and the ambivalence of motherhood.

Unique print “Okruchy_46” – linocut on Zerkall paper with pencil and gilding. A refined fusion of traditional technique and modern expression.

Unique print “Okruchy_16” – linocut on Zerkall paper with pastel and gilding. An emotional reflection on fragility, chaos and motherhood.

Unique print “Okruchy_22” – linocut on Zerkall paper with pencil drawing. A subtle combination of tradition and the artist’s personal touch.

Unique print “Okruchy_34” – linocut on Zerkall paper with pencil and gilding. A symbolic reflection on fragility, chaos and motherhood.

Unique print “Okruchy_35” – linocut on Zerkall paper with pencil drawing. A refined blend of craftsmanship and the artist’s personal touch.

Unique print “Okruchy_33” – linocut on Zerkall paper with gilding and drawing. A metaphor of fragility, chaos and the ambivalence of motherhood.

Unique print “Okruchy_30” – linocut on Zerkall paper with drawing and gilding. A refined blend of traditional craft and artistic expression.

Unique print “Okruchy_08” – linocut on Zerkall paper with drawing. A metaphor of fragility, chaos and the ambivalence of motherhood.

Unique print “Okruchy_18” – linocut on Zerkall paper with drawing. A refined blend of traditional printmaking and personal expression.

“Miracle” (2024) by Roman Goss is an oil painting on canvas depicting a semi-abstract landscape. Layered colours, rich texture and muted blue tones create a calm, almost meditative space where the play of light and shadow is central.

Unique print “Motherhood_21” – linocut on Zerkall paper, part of a cycle exploring everyday life and the ambivalence of motherhood.

“Vox” (2024) by Roman Goss is an oil painting on canvas that contrasts warm reds and browns with cool, light green colour fields. Rhythmic geometric forms and rich texture create a sense of dynamic struggle between light and shadow.

Art print “Watch Your Step_01” – linocut on Zerkall paper, edition 2/5 V.E. Part of the “Motherhood” cycle, portraying daily chaos and unexpected still life.

“Motherhood_23” – unique linocut by Agata Gertchen on Zerkall paper. An intimate record of daily life and the emotions of motherhood.

“Nude, Woman and Mars” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic/oil/pencil), 100 × 100 cm. From the series Women and Planets—femininity as a force balancing strength and sensitivity; Mars-red accents, vigorous gesture, layered texture.

“Work on Paper” (2018) by Emilia Maryniak is an ink drawing created as part of the project I WILL TELL YOU A TALE AND THE TALE WILL BE LONG. It captures a spontaneous moment of creation — a visual reflection on nature, sensitivity and artistic process.

“Posidonia Plant” (2024) by Emilia Maryniak is an acrylic painting inspired by Posidonia oceanica, a seagrass vital to marine ecosystems. The artist transforms natural forms into a poetic symbol of renewal, harmony and ecological balance.

“Posidonia Mandala” (2024) by Emilia Maryniak is an oil painting inspired by the marine plant Posidonia oceanica. The artist creates a natural mandala — a symbol of renewal, harmony and ecological continuity.

“Dandelion” (2022) by Emilia Maryniak is an acrylic painting inspired by the airy, spherical form of Taraxacum. The work reflects on transience, renewal and the fragile beauty of natural cycles.

“Seagrass” (2024) by Emilia Maryniak is an acrylic painting inspired by the marine plant Posidonia oceanica. The work reflects on nature’s equilibrium, the rhythm of the sea and the fragile beauty of life.

“Depths / Odmęt” (2023–2024) by Emilia Maryniak is an oil painting inspired by the marine plant Posidonia oceanica. The work evokes the underwater flow of light and emotion — a meditation on depth, renewal and balance.

“A Plea to the Moon” (2023) – monotype by Rafał Labijak, oil on cardboard, 57 × 76 cm. An emotional sketch used as a compositional base for later paintings; reproduced in the catalogue “Sztuka kochania…”.

“Organ Concert” (2022) by Rafał Labijak, oil on relief ground (HDF board), 100 × 100 cm. Layered texture orchestrates light and shadow like an organ performance. Exhibited and reproduced in the catalogue “Sztuka kochania…”.

“The Pink Explosion” (2023) by Dorota Bojanowska combines screenprinting, drypoint and oil marks to create a vibrant, multilayered composition inspired by American pop culture of the 1940s and 1950s.

“Summer Meadow” (2022) by Anna Rendecka – an abstract oil painting on canvas (100 × 81 cm) inspired by nature. A serene composition that radiates balance and harmony.

“Her eyes” (2023) – table lamp–sculpture in recycled paper + cement, finished with acrylics and varnish. Fragmentary female figure with intentional cracks. Size: 37 × 48 cm.

“No name Red” (2023) by Mira Pürschel. Mixed media / acrylic on canvas (palette knife), 120 × 100 cm. Minimalist composition dominated by an intense red; layered texture and strong emotional charge.

“Beach” (2020) by Prof. Mariusz Woszczyński. Acrylic on canvas, 100 × 50 cm. A reportage-like slice of everyday life: beachgoers and a cyclist rendered with expressive brushwork and vivid colour harmony.

“Boulevard” (2020) by Prof. Mariusz Woszczyński. Acrylic on canvas, 100 × 50 cm. A reportage-like slice of city life: a cyclist and onlookers rendered with expressive brushwork and vivid colour harmony.

“Southern Beach” (2018) by Prof. Mariusz Woszczyński. Acrylic on canvas, 81 × 65 cm. A reportage-like seaside scene—tourists rendered with expressive brushwork, vibrant palette and summer light.

“No Name 1” (2023) – fragmentary female figure in recycled paper and cement, finished with acrylic. Minimal, expressive surface with intentional cracks. 31 × 25 × 160 cm.

“Inferno” (2023) by Mira Pürschel. Acrylic on canvas, 100 × 100 cm. Conceptual, expressive abstraction—fiery chroma and sculpted texture lead through a labyrinth of emotion.

“Unholy” (2023) – hand-painted oil on canvas enhanced with metal leaf and cotton rope. Figurative work with a central human figure. Size 130 × 130 cm.

“Apollo” (2023) from the Myths & Legends series by Piotr Piecko. Mixed media (acrylic, gold leaf) on canvas, 100 × 70 cm. A contemporary portrait of Apollo—god of light, arts and poetry—merging classical iconography with modern materiality. Signed LR; American Box frame.

“Icarus” (2023) from the Myths & Legends series by Piotr Piecko. Mixed media (acrylic, gold leaf) on canvas, 115 × 75 cm. A contemporary take on the Icarus myth—solar radiance in gold leaf set against the drama of hubris and fall. Signed LR; American Box frame.