Skowronscy Art Gallery

“Statue 3” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). A figurative male nude emerges from an impressionistic abstract background, blending realism, figurative painting and surreal expression.

“Frenzy” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). A grotesque human portrait rendered in earthy green-orange tones merges realism with surreal deformation.

“Fire” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). An expressive portrait rendered in warm luminous tones merges expressionism, figurative painting and surreal abstraction.

“Big Blue 16” (2024) by Magdalena Purol. Acrylic on canvas, 50 × 50 cm. Saturated abstract in deep and vivid blues. Price: 2200 PLN.

“Dialogi 109 vs 109” (2023) by Andrzej Ciołek – oil on canvas, 85 × 95 cm. A symbolic call to dialogue despite human differences.

“Unholy” (2023) – hand-painted oil on canvas enhanced with metal leaf and cotton rope. Figurative work with a central human figure. Size 130 × 130 cm.

“Yellow Field with Red Building” (2022) by Dorota Kiermasz is an acrylic and pencil composition exploring geometric abstraction and human symbolism. A visual meditation on order, space and existence.

“Balloon XXXIX” (2023) by Amonaria Magda Maciaszek – installation on four plexiglass panels, depicting a balloon in shades of pink, white and cobalt. From the series “Autotelicity of the Road”.

“Tłumy V” (2023) by Andrzej Ciołek – oil on linen-cotton canvas. A symbolic interpretation of contemporary man caught between the “walls of everyday life”.

Painting “Crowds III” (2023) by Andrzej Ciołek – oil on linen-cotton canvas, unframed. A symbolic walk across a red footbridge above rooftops, between the “walls of everyday life”.

“Crowds II” (2023) by Andrzej Ciołek – oil on linen-cotton canvas, unframed. A symbolic rooster-siren as a metaphor of modern man caught between the “walls of everyday life”.

“Moose” (2022) by Magda Maciaszek – acrylic on canvas, figurative work in browns, white and gold. From the “Dichotomy of Personality” series.

“Flaming VIII” (2020) by Magda Maciaszek – acrylic on canvas 120×80 cm, a subtle figurative work with abstract elements, in shades of pink and grey.

“Squirrel” (2022) by Magda Maciaszek (Amonaria). Acrylic on canvas, 120 × 80 cm. Split composition with the titular animal; differing paint handling on each side. Palette of russet, brown, grey, white and gold accents.

“Balloon XVII” (2020) by Magda Maciaszek (Amonaria). Acrylic on canvas, 90 × 90 cm. Expressive piece at the edge of abstraction and figuration; vivid reds, oranges, greens and blues. Painted edges, matte varnish finish.

“In between” (2022) by Matylda Burszta. Mixed media on linen (oil + embroidered elements), 80 × 60 cm. Minimalist portrait on black; a tightly embroidered face emerges from the surface, balancing presence and unease.

“No name Blue” (2023) by Mira Pürschel. Mixed media / acrylic + varnish on 3D canvas, 120 × 100 cm. Minimal monochrome in Parisian blue; layered surface with refined sheen.

“No name Black” (2023) by Mira Pürschel. Mixed media / acrylic on 3D canvas, 120 × 100 cm. Minimal black monochrome with layered, tactile texture and spatial depth.

“HER EYES” (2023) lamp–sculpture in recycled paper + cement, finished with acrylics and varnish. Fragmentary human figure with intentional cracks. Metal base. 30 × 20 × 56 cm.

“Vacant Space” (2021) by Beata Walczak is an acrylic painting on canvas showing a couple standing back to back on either side of a blue tree, each holding a pear. Cool blues and greys, birch trees and a symbolic eye-heart motif above them evoke emotional distance, absence and the echo of a relationship that once filled this place.

Painting “Walk” (2023) by Joanna Czajkowska is an oil on linen canvas (110 × 90 cm). This figurative work combines magical realism and surrealism, portraying the human form as a poetic symbol of introspection and motion.

“Migraine” (2023) by Anna Rendecka – a triptych of expressive abstract works created in mixed media on paper. A powerful visual narrative about pain, sensitivity and the transformation of emotion into color and form.

“Untitled 5” (2012) by Franciszek Ledóchowski. Oil on canvas, 150 × 100 cm. A realist scene with a glass scattering sunlight—an open-ended symbol asking: half empty or half full?

“Winter/Zima 4” (2021) by Ewa Engler-Herer is a tempera painting on paper from the Winter/Zima series. It combines classical technique with modern expression, bringing calm and elegance to any interior.