Artworks from the category Paintings for study & office

“Raven Ballet” (2022) by Małgorzata Bańkowska. Ink on paper, 29.5 × 40.5 cm. Expressive, minimalist sheet from the MONO|STEREO series; dip pen linework, bold black–white contrast and kinetic gesture.

Painting “Whituś” (2023) by Aneta & Filip Gębski – a MIRAGES artwork combining photography and drawing.

“Mu” (2022) by Franciszek Ledóchowski. A gestural, contemplative composition between abstraction and sign—layered paint, organic swirls and a luminous focal point.

“Spirit” (2025) by Franciszek Ledóchowski. Acrylic on canvas. A luminous nocturne: glowing circular core above semi-floral forms, rich impasto and vibrant colour contrasts.

“Imaginare” (2025) by Franciszek Ledóchowski. Acrylic on canvas. Gestural impasto abstraction—vibrant colour streams, organic shapes and a luminous core.

“Insect” (2023) by Magda Maciaszek – installation on four plexiglass panels, part of the “Dichotomy of Personality” series.

“Thirst” (2022) by Ela Kubat is an abstract acrylic painting created with the pouring art technique. Fluid blues and organic forms express energy and depth. Presented in a raw pine float frame.

“Thirsty Tree” (2022) by Ela Kubat is an abstract painting created with the acrylic pouring technique. Shades of blue and organic shapes merge into fluid harmony, enhanced by a float frame that adds spatial depth.

“Motion 1” (2022) by Ela Kubat is an abstract seascape created using the pouring art technique. Flowing acrylic layers evoke the motion of waves, clouds and reflections of light. The work is framed in an elegant 3D structure.

“Motion 2” (2022) by Ela Kubat is an acrylic painting created using the pouring art technique — where fluid paint layers flow across the canvas, forming spontaneous, organic patterns. The work is dominated by serene shades of blue and presented in a 3D frame.

“Decadence” (2005) by Bartłomiej Martens is an expressive and symbolic composition reflecting on decay, transformation and rebirth. The painting invites the viewer to contemplate beauty at the edge of dissolution.

“Metaphysics” (2017) by Bartłomiej Martens is a painterly meditation on existence and transience. Combining figuration and abstraction, the artist explores the boundaries of being, light and matter through symbolic depth.

“Inner Violation” (2018) by Bartłomiej Martens is a powerful, introspective abstraction. Layers of colour, gesture and light create palpable tension that moves from turmoil to catharsis.

“Anticipation” (2020) by Bartłomiej Martens is an expressive, atmospheric composition blending painterly tradition with modern abstraction. A reflection on time, stillness and emotional presence.

“Absorptive Idyll” (2000) by Bartłomiej Martens blends classical sensitivity with a contemporary abstract language. Delicate colour transitions and balanced composition create a calm, poetic ambience for any interior.

“Egocentrism” (2014) by Bartłomiej Martens – an expressive, symbolic painting exploring human identity and inner conflict. A visual reflection on solitude, ego and self-awareness.

“The Hunt” (2022) by Bartłomiej Martens – a dynamic mixed-media painting combining acrylic, oil, tempera and ink. A study of instinct, energy and the timeless tension between humanity and nature.

“Polish Pantone – Summer Edition” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Cool, luminous abstraction: soft vertical veils, a horizontal light threshold and deep, sea-like tones below.

“The Voyeur” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Split scene: a cool blue exterior silhouette versus a warm orange interior profile—cinematic play of gaze and light.

“Circles VI” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Cool greys and muted blues form concentric arcs with tiny figures scattered like specks on ice.

“Circles V” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. An aerial, arena-like field: dark architectural top, a gridded light plane with tiny figures, and a lone silhouette in cool blues below.

“Circles VII” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Nocturnal, aerial composition: a black hemispheric mass bordered by a pale ring with tiny scale markers.

“Back to back” (2024) by Izabela Siemiątkowska. Oil on canvas with wax paste. Nocturnal monochrome: a dark hemispheric bowl, a vertical string of lights and concentric reflections like ripples.

“Polish Pantone II” (2024) by Izabela Siemiątkowska. Oil on canvas with wax paste. Cool-toned minimalist abstraction with vertical bands, delicate abrasions and a luminous horizontal line.

“Krakry” by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. A cool-toned abstraction with textured “cracks” and a soft yellow light band.

“Big Blue 16” (2024) by Magdalena Purol. Acrylic on canvas, 50 × 50 cm. Saturated abstract in deep and vivid blues. Price: 2200 PLN.

“Encounters III” (2023) by Magdalena Laskowska. Acrylic on canvas. A poetic lawn scene: a blue sculpture and a reader, rendered in a minimalist composition.

“Evening Lights” (2022) by Magdalena Laskowska. Acrylic on canvas, 50 × 40 cm. A quiet urban scene at dusk with geometric houses, a lamppost and warm window glow.

“Evening by the River” (2022) by Magdalena Laskowska. Acrylic on canvas, 92 × 73 cm. A tranquil landscape in golden dusk tones with mirrored trees on still water.

“In Search of the Lost Colour” (2022) by Łukasz Jankiewicz. Oil on canvas, 100 × 150 × 3 cm. An enigmatic female portrait in nuanced reds with rich texture.

“Female Dominance” (2022) by Leszek Markuszewski. Oil on canvas, size 121 × 140 × 3 cm. Abstract composition with a philosophical underpinning—cool blues set against vivid red. Signed on the reverse.

“Untitled 1” (2022) by Leszek Markuszewski. Oil on canvas, large size 180 × 160 cm. Post-abstract composition fusing fantastical motifs with vivid colour and disciplined brushwork. Unique, hand-painted.

“Antypop” (2022) by Leszek Markuszewski. Oil on canvas, size 120 × 160 cm. Unique, hand-painted work on primed canvas.

“REFLECTION” (2022) by Lech Bator. Oil on canvas, 60 × 80 cm, with a decorative frame integral to the concept. Pop-culture symbolism, comic & graffiti accents, surreal juxtapositions.

“HER MESS” (2022) by Lech Bator. Oil on canvas, 130 × 100 cm, with a decorative frame integral to the concept. Pop-culture symbolism, comic and graffiti accents, surreal juxtapositions.

“Heritage” (2022) by Lech Bator. Mixed media on canvas, 64 × 90 cm. Hand-painted, in a decorative frame integral to the concept. References pop culture, comics and graffiti.