Artworks from the category Paintings for living room

“No name Red” (2023) by Mira Pürschel. Mixed media / acrylic on canvas (palette knife), 120 × 100 cm. Minimalist composition dominated by an intense red; layered texture and strong emotional charge.

“Future Past” (2021) by Matylda Burszta. Mixed media on linen canvas (oil, collage from recycled materials, photography, embroidery), 120 × 90 cm. Two simplified figures filled with collage—where figuration meets experiment and memory.

“Aurora” (2022) by Matylda Burszta. Mixed media—collage and oil on canvas, 90 × 120 cm. A romantic, cinematic portrait of a woman—elusive like the aurora; layered surface, chromatic glows and flickers of light.

“Let’s Dive” (2023) by Marta Chudzik. Acrylic on canvas (artist’s own technique), 120 × 90 cm. Water-inspired abstraction; turquoise palette, textured surface and a sense of immersion.

“I Wanna Be Yours but Only Tonight” (2022) by Marta Chudzik. Mixed media on canvas (acrylic, markers, pastels), 140 × 120 cm. Street-art/graffiti-inspired abstraction with bold gesture, typographic echoes and layered texture.

“In Light We Trust” (2023) by Marta Chudzik. Acrylic on canvas (artist’s own technique), 160 × 130 cm. Organic abstraction in shades of blue; minimalist structure and textured surface create calm and spaciousness.

“Flowing River” (2023) by Marta Chudzik. Acrylic on canvas (artist’s own technique), 180 × 100 cm. Abstract current of turquoise and black; textured surface adds depth and motion.

“Southern Beach” (2018) by Prof. Mariusz Woszczyński. Acrylic on canvas, 81 × 65 cm. A reportage-like seaside scene—tourists rendered with expressive brushwork, vibrant palette and summer light.

“Boulevard” (2020) by Prof. Mariusz Woszczyński. Acrylic on canvas, 100 × 50 cm. A reportage-like slice of city life: a cyclist and onlookers rendered with expressive brushwork and vivid colour harmony.

“Beach” (2020) by Prof. Mariusz Woszczyński. Acrylic on canvas, 100 × 50 cm. A reportage-like slice of everyday life: beachgoers and a cyclist rendered with expressive brushwork and vivid colour harmony.

“Raven Ballet” (2022) by Małgorzata Bańkowska. Ink on paper, 29.5 × 40.5 cm. Expressive, minimalist sheet from the MONO|STEREO series; dip pen linework, bold black–white contrast and kinetic gesture.

“Nude, Woman and Mars” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic/oil/pencil), 100 × 100 cm. From the series Women and Planets—femininity as a force balancing strength and sensitivity; Mars-red accents, vigorous gesture, layered texture.

“Nude, Woman and the Sun” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic, oil, pastel, pencil), 120 × 130 cm. A contemporary nude as a carrier of emotion and spirituality—body reduced to sign and form.

“Act – The Fruit of Femininity” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic, oil, pastels, pencil), 100 × 170 cm. A contemporary nude as a statement on female energy—sensuality meets agency.

Painting “Whituś” (2023) by Aneta & Filip Gębski – a MIRAGES artwork combining photography and drawing.

“Mu” (2022) by Franciszek Ledóchowski. A gestural, contemplative composition between abstraction and sign—layered paint, organic swirls and a luminous focal point.

“Spirit” (2025) by Franciszek Ledóchowski. Acrylic on canvas. A luminous nocturne: glowing circular core above semi-floral forms, rich impasto and vibrant colour contrasts.

“Imaginare” (2025) by Franciszek Ledóchowski. Acrylic on canvas. Gestural impasto abstraction—vibrant colour streams, organic shapes and a luminous core.

“Insect” (2023) by Magda Maciaszek – installation on four plexiglass panels, part of the “Dichotomy of Personality” series.

“Thirst” (2022) by Ela Kubat is an abstract acrylic painting created with the pouring art technique. Fluid blues and organic forms express energy and depth. Presented in a raw pine float frame.

“Thirsty Tree” (2022) by Ela Kubat is an abstract painting created with the acrylic pouring technique. Shades of blue and organic shapes merge into fluid harmony, enhanced by a float frame that adds spatial depth.

“Motion 1” (2022) by Ela Kubat is an abstract seascape created using the pouring art technique. Flowing acrylic layers evoke the motion of waves, clouds and reflections of light. The work is framed in an elegant 3D structure.

“Motion 2” (2022) by Ela Kubat is an acrylic painting created using the pouring art technique — where fluid paint layers flow across the canvas, forming spontaneous, organic patterns. The work is dominated by serene shades of blue and presented in a 3D frame.

“Decadence” (2005) by Bartłomiej Martens is an expressive and symbolic composition reflecting on decay, transformation and rebirth. The painting invites the viewer to contemplate beauty at the edge of dissolution.