Artworks from the category Office paintings

“There, through the Sandy Hills” (2024) by Paulina Katarzyna Zielska. Oil on canvas, 40 × 30 cm. A small contemplative landscape in pinks and violets; gentle textures and distant mountain contours.

“Ciepło cieplej” (2021) by Paulina Katarzyna Zielska. Oil on canvas, 90 × 90 cm. A warm-hued landscape at sunset: a road leading toward the mountains, rolling hills and fiery light shaping the terrain.

“Zakopianka” (2021) by Paulina Katarzyna Zielska. Oil on canvas, 90 × 90 cm. A dusk cityscape: an empty road leading into the sunset, a flame neon on the right, soft pink–orange–blue hues contrasted with dark tree and sign silhouettes.

“Golden Circle” (2021) by Monika Wałęga. Acrylic on canvas / mixed media with gold accents, 100 × 100 cm. A central gold circle with light-responsive metallic sheen; the work changes with daylight. Signed on verso.

“Inferno” (2023) by Mira Pürschel. Acrylic on canvas, 100 × 100 cm. Conceptual, expressive abstraction—fiery chroma and sculpted texture lead through a labyrinth of emotion.

“No name Ochra” (2023) by Mira Pürschel. Mixed media / acrylic on canvas, 120 × 100 cm. Minimal monochrome in ochre hues; edges painted, signed on side and verso, certificate of authenticity included.

“Retrogradation 02” (2022) by Mira Pürschel. Acrylic on canvas, 140 × 100 cm. Minimal abstract study of planetary retrograde motion; stark black–ochre contrast, clear structure, signed front and verso.

“No name Red” (2023) by Mira Pürschel. Mixed media / acrylic on canvas (palette knife), 120 × 100 cm. Minimalist composition dominated by an intense red; layered texture and strong emotional charge.

“Future Past” (2021) by Matylda Burszta. Mixed media on linen canvas (oil, collage from recycled materials, photography, embroidery), 120 × 90 cm. Two simplified figures filled with collage—where figuration meets experiment and memory.

“Aurora” (2022) by Matylda Burszta. Mixed media—collage and oil on canvas, 90 × 120 cm. A romantic, cinematic portrait of a woman—elusive like the aurora; layered surface, chromatic glows and flickers of light.

“Let’s Dive” (2023) by Marta Chudzik. Acrylic on canvas (artist’s own technique), 120 × 90 cm. Water-inspired abstraction; turquoise palette, textured surface and a sense of immersion.

“I Wanna Be Yours but Only Tonight” (2022) by Marta Chudzik. Mixed media on canvas (acrylic, markers, pastels), 140 × 120 cm. Street-art/graffiti-inspired abstraction with bold gesture, typographic echoes and layered texture.

“In Light We Trust” (2023) by Marta Chudzik. Acrylic on canvas (artist’s own technique), 160 × 130 cm. Organic abstraction in shades of blue; minimalist structure and textured surface create calm and spaciousness.

“Flowing River” (2023) by Marta Chudzik. Acrylic on canvas (artist’s own technique), 180 × 100 cm. Abstract current of turquoise and black; textured surface adds depth and motion.

“Southern Beach” (2018) by Prof. Mariusz Woszczyński. Acrylic on canvas, 81 × 65 cm. A reportage-like seaside scene—tourists rendered with expressive brushwork, vibrant palette and summer light.

“Boulevard” (2020) by Prof. Mariusz Woszczyński. Acrylic on canvas, 100 × 50 cm. A reportage-like slice of city life: a cyclist and onlookers rendered with expressive brushwork and vivid colour harmony.

“Beach” (2020) by Prof. Mariusz Woszczyński. Acrylic on canvas, 100 × 50 cm. A reportage-like slice of everyday life: beachgoers and a cyclist rendered with expressive brushwork and vivid colour harmony.

“Raven Ballet” (2022) by Małgorzata Bańkowska. Ink on paper, 29.5 × 40.5 cm. Expressive, minimalist sheet from the MONO|STEREO series; dip pen linework, bold black–white contrast and kinetic gesture.

Painting “Whituś” (2023) by Aneta & Filip Gębski – a MIRAGES artwork combining photography and drawing.

“Mu” (2022) by Franciszek Ledóchowski. A gestural, contemplative composition between abstraction and sign—layered paint, organic swirls and a luminous focal point.

“Spirit” (2025) by Franciszek Ledóchowski. Acrylic on canvas. A luminous nocturne: glowing circular core above semi-floral forms, rich impasto and vibrant colour contrasts.

“Imaginare” (2025) by Franciszek Ledóchowski. Acrylic on canvas. Gestural impasto abstraction—vibrant colour streams, organic shapes and a luminous core.

“Insect” (2023) by Magda Maciaszek – installation on four plexiglass panels, part of the “Dichotomy of Personality” series.

“Thirst” (2022) by Ela Kubat is an abstract acrylic painting created with the pouring art technique. Fluid blues and organic forms express energy and depth. Presented in a raw pine float frame.

“Thirsty Tree” (2022) by Ela Kubat is an abstract painting created with the acrylic pouring technique. Shades of blue and organic shapes merge into fluid harmony, enhanced by a float frame that adds spatial depth.

“Motion 1” (2022) by Ela Kubat is an abstract seascape created using the pouring art technique. Flowing acrylic layers evoke the motion of waves, clouds and reflections of light. The work is framed in an elegant 3D structure.

“Motion 2” (2022) by Ela Kubat is an acrylic painting created using the pouring art technique — where fluid paint layers flow across the canvas, forming spontaneous, organic patterns. The work is dominated by serene shades of blue and presented in a 3D frame.

“Decadence” (2005) by Bartłomiej Martens is an expressive and symbolic composition reflecting on decay, transformation and rebirth. The painting invites the viewer to contemplate beauty at the edge of dissolution.

“Metaphysics” (2017) by Bartłomiej Martens is a painterly meditation on existence and transience. Combining figuration and abstraction, the artist explores the boundaries of being, light and matter through symbolic depth.

“Inner Violation” (2018) by Bartłomiej Martens is a powerful, introspective abstraction. Layers of colour, gesture and light create palpable tension that moves from turmoil to catharsis.

“Anticipation” (2020) by Bartłomiej Martens is an expressive, atmospheric composition blending painterly tradition with modern abstraction. A reflection on time, stillness and emotional presence.

“Absorptive Idyll” (2000) by Bartłomiej Martens blends classical sensitivity with a contemporary abstract language. Delicate colour transitions and balanced composition create a calm, poetic ambience for any interior.

“Egocentrism” (2014) by Bartłomiej Martens – an expressive, symbolic painting exploring human identity and inner conflict. A visual reflection on solitude, ego and self-awareness.

“The Hunt” (2022) by Bartłomiej Martens – a dynamic mixed-media painting combining acrylic, oil, tempera and ink. A study of instinct, energy and the timeless tension between humanity and nature.

“Polish Pantone – Summer Edition” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Cool, luminous abstraction: soft vertical veils, a horizontal light threshold and deep, sea-like tones below.

“The Voyeur” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Split scene: a cool blue exterior silhouette versus a warm orange interior profile—cinematic play of gaze and light.