Artworks from the category Office paintings

“Meteorology of Accidental Hallucinations” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A meticulously rendered truck beneath a canopy of levitating mushrooms; refined linework, deep chiaroscuro and layered symbolism.

“Statics of the Depths” (2004) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A sofa suspended in darkness, a hovering hummingbird, and twisting tower-like columns—refined chiaroscuro, precise line and dreamlike symbolism.

“At Dawn the Black Ocean Bloomed” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A dreamlike dawn tableau: glowing flowers, a ship entwined with vegetation, a dragon and a bridge/fortress silhouette; refined chiaroscuro and layered symbolism.

“Flowers of the Night” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). Three glowing blossoms under a crescent moon; exquisite chiaroscuro, meticulous detail and dreamlike symbolism.

“Cornflower Moon of the Frost Fields” (2011) by Przemysław Tyszkiewicz. Etching & aquatint, 94 × 67 cm (landscape). A oneiric scene with a winged pig, levitating animals and a monumental bull; exquisite chiaroscuro and layered symbolism.

“Heart of Wrocław” (2016) by Przemysław Tyszkiewicz. Etching & aquatint, 49 × 60 cm (portrait). A monochrome anatomical heart filled with Wrocław’s architecture; exquisite chiaroscuro and meticulous line work evoke a dreamlike city-portrait.

“Moon Garden” (2020) by Przemysław Tyszkiewicz. Etching & aquatint, 40 × 53 cm (portrait). An oneiric scene where hyper-detailed roses emerge from darkness; symbolism and chiaroscuro shape a quiet unease.

“Lake Płaskie” (2024) by Piotr Trusik. Oil on canvas, 21 × 30 cm (portrait). An intimate painterly note of nature from the Jerzwałd Plein Air 2024—holding light, water and time in a fleeting study.

“Keepsake” (2024) by Piotr Trusik. Oil on panel, 30.5 × 21 cm (landscape). A fleeting painterly note of nature from the Jerzwałd Plein Air 2024 — an attempt to hold light, time and the memory of seeing.

“Events” (2024) by Piotr Trusik. Oil on canvas, 30 × 40 cm (portrait). A painterly meditation on women’s freedom and bodily autonomy; dense, alien matter contrasts with a tender gaze to shape an ambiguous narrative.

“Found 2” (2024) by Piotr Trusik. Oil on canvas, 34.5 × 40.5 cm (portrait). A fleeting painterly note of nature from the Jerzwałd Plein Air 2024 — on the ephemerality of looking and the memory of place.

“Found 1” (2024) by Piotr Trusik. Oil on canvas, 30 × 24 cm (landscape). A fleeting painterly note of nature from Jerzwałd Plein Air 2024 — on the ephemerality of looking and the memory of place.