Artworks from the category Hotel paintings

“Metaphysics” (2017) by Bartłomiej Martens is a painterly meditation on existence and transience. Combining figuration and abstraction, the artist explores the boundaries of being, light and matter through symbolic depth.

“Inner Violation” (2018) by Bartłomiej Martens is a powerful, introspective abstraction. Layers of colour, gesture and light create palpable tension that moves from turmoil to catharsis.

“Anticipation” (2020) by Bartłomiej Martens is an expressive, atmospheric composition blending painterly tradition with modern abstraction. A reflection on time, stillness and emotional presence.

“Absorptive Idyll” (2000) by Bartłomiej Martens blends classical sensitivity with a contemporary abstract language. Delicate colour transitions and balanced composition create a calm, poetic ambience for any interior.

“Egocentrism” (2014) by Bartłomiej Martens – an expressive, symbolic painting exploring human identity and inner conflict. A visual reflection on solitude, ego and self-awareness.

“The Hunt” (2022) by Bartłomiej Martens – a dynamic mixed-media painting combining acrylic, oil, tempera and ink. A study of instinct, energy and the timeless tension between humanity and nature.

“Polish Pantone – Summer Edition” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Cool, luminous abstraction: soft vertical veils, a horizontal light threshold and deep, sea-like tones below.

“Vistula II” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 90 × 90 cm. Minimal river scene: a dark concentric vault above a pale bank with tiny figures.

“Vistula I” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 90 × 90 cm. Minimal scene: a dark concentric dome above a pale strip with tiny figures—evoking a winter riverbank.

“The Voyeur” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Split scene: a cool blue exterior silhouette versus a warm orange interior profile—cinematic play of gaze and light.

“Circles VI” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Cool greys and muted blues form concentric arcs with tiny figures scattered like specks on ice.

“Circles V” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. An aerial, arena-like field: dark architectural top, a gridded light plane with tiny figures, and a lone silhouette in cool blues below.