Artworks from the category Hotel paintings

“Blue Monday” by Agata Strzemecka – acrylic on canvas (76×102 cm, 2022). A reflection on mass culture, psychology, and the contradictions of everyday life.

“Dialogi 109 vs 109” (2023) by Andrzej Ciołek – oil on canvas, 85 × 95 cm. A symbolic call to dialogue despite human differences.

“Crowds II” (2023) by Andrzej Ciołek – oil on linen-cotton canvas, unframed. A symbolic rooster-siren as a metaphor of modern man caught between the “walls of everyday life”.

Painting “Crowds III” (2023) by Andrzej Ciołek – oil on linen-cotton canvas, unframed. A symbolic walk across a red footbridge above rooftops, between the “walls of everyday life”.

“Tłumy V” (2023) by Andrzej Ciołek – oil on linen-cotton canvas. A symbolic interpretation of contemporary man caught between the “walls of everyday life”.

“Copenhagen Expression 2” (2017) by Krzysztof Ludwin. Acrylic on canvas, size 130 × 100 cm. A vivid cityscape capturing Northern light and urban rhythm.

“Unholy” (2023) – hand-painted oil on canvas enhanced with metal leaf and cotton rope. Figurative work with a central human figure. Size 130 × 130 cm.

“Vacant Space” (2021) by Beata Walczak is an acrylic painting on canvas showing a couple standing back to back on either side of a blue tree, each holding a pear. Cool blues and greys, birch trees and a symbolic eye-heart motif above them evoke emotional distance, absence and the echo of a relationship that once filled this place.

“No name Black” (2023) by Mira Pürschel. Mixed media / acrylic on 3D canvas, 120 × 100 cm. Minimal black monochrome with layered, tactile texture and spatial depth.

“No name Blue” (2023) by Mira Pürschel. Mixed media / acrylic + varnish on 3D canvas, 120 × 100 cm. Minimal monochrome in Parisian blue; layered surface with refined sheen.

“In between” (2022) by Matylda Burszta. Mixed media on linen (oil + embroidered elements), 80 × 60 cm. Minimalist portrait on black; a tightly embroidered face emerges from the surface, balancing presence and unease.

“Untitled 5” (2012) by Franciszek Ledóchowski. Oil on canvas, 150 × 100 cm. A realist scene with a glass scattering sunlight—an open-ended symbol asking: half empty or half full?