“Zakopianka” (2021) by Paulina Katarzyna Zielska. Oil on canvas, 90 × 90 cm. A dusk cityscape: an empty road leading into the sunset, a flame neon on the right, soft pink–orange–blue hues contrasted with dark tree and sign silhouettes.
“There, through the Sandy Hills” (2024) by Paulina Katarzyna Zielska. Oil on canvas, 40 × 30 cm. A small contemplative landscape in pinks and violets; gentle textures and distant mountain contours.
“Act – The Fruit of Femininity” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic, oil, pastels, pencil), 100 × 170 cm. A contemporary nude as a statement on female energy—sensuality meets agency.
“Nude, Woman and the Sun” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic, oil, pastel, pencil), 120 × 130 cm. A contemporary nude as a carrier of emotion and spirituality—body reduced to sign and form.
“Lady Atom” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies, with a unique colour scheme, depicting a woman in a long dress in a futuristic, biotech-driven world.
“Lady Atom” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies and features a unique colour scheme, depicting a woman in a long dress in a futuristic, biotech world.
“Lady Sky” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies and features a unique colour scheme, depicting a beautiful, elegant and confident woman of extraterrestrial origin.
“Old Lady” (2024) by Roland Kościółek is a glazed ceramic sculpture whose form is inspired by ancient Egyptian art. A unique colour scheme and free interpretation of the theme make it a distinctive contemporary collector’s piece.
“Poison Lady” (2024) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. It portrays an apparently delicate and elegant woman who hides a dark secret – you can get to know her, but never fully reveal it.
“Last Parrot” (2024) by Roland Kościółek is a glazed ceramic sculpture depicting a macaw parrot with an accentuated skull motif. Part of a series of animal sculptures, it blends animal portraiture with a symbolic reflection on mortality.
“Dialogi 109 vs 109” (2023) by Andrzej Ciołek – oil on canvas, 85 × 95 cm. A symbolic call to dialogue despite human differences.
“Blue Monday” by Agata Strzemecka – acrylic on canvas (76×102 cm, 2022). A reflection on mass culture, psychology, and the contradictions of everyday life.