“Seated Woman” (2025) by Małgorzata Kleyna-Sobczak is a minimalist Japanese pen drawing defined by elegant lines and contemporary figurative simplicity.
“Lady Atom” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies, with a unique colour scheme, depicting a woman in a long dress in a futuristic, biotech-driven world.
“Lady Atom” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies and features a unique colour scheme, depicting a woman in a long dress in a futuristic, biotech world.
“Lady Sky” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies and features a unique colour scheme, depicting a beautiful, elegant and confident woman of extraterrestrial origin.
“Old Lady” (2024) by Roland Kościółek is a glazed ceramic sculpture whose form is inspired by ancient Egyptian art. A unique colour scheme and free interpretation of the theme make it a distinctive contemporary collector’s piece.
“Poison Lady” (2024) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. It portrays an apparently delicate and elegant woman who hides a dark secret – you can get to know her, but never fully reveal it.
“Last Parrot” (2024) by Roland Kościółek is a glazed ceramic sculpture depicting a macaw parrot with an accentuated skull motif. Part of a series of animal sculptures, it blends animal portraiture with a symbolic reflection on mortality.
“Blue Monday” by Agata Strzemecka – acrylic on canvas (76×102 cm, 2022). A reflection on mass culture, psychology, and the contradictions of everyday life.
“Aurora” (2022) by Matylda Burszta. Mixed media—collage and oil on canvas, 90 × 120 cm. A romantic, cinematic portrait of a woman—elusive like the aurora; layered surface, chromatic glows and flickers of light.
“Shade of polo” by Agata Strzemecka – acrylic on canvas (90×60 cm, 2024). A minimalist depiction of a rider on horseback, defined by light and shadow.
“Grey Composition” (2024) by Roman Goss is an abstract oil painting on canvas dominated by a muted grey-blue background. Bright accents of yellow, white, black, brown and light green appear in bold, textured colour blocks, creating a layered, almost architectural composition.
“Composition 17” (2024) by Roman Goss is an abstract oil painting on canvas built from horizontal and vertical colour blocks. A warm, earthy palette of browns, beiges, yellows, whites and light greens, combined with rich texture, creates a strong sense of depth, light and structure.