“HER MESS” (2022) by Lech Bator. Oil on canvas, 130 × 100 cm, with a decorative frame integral to the concept. Pop-culture symbolism, comic and graffiti accents, surreal juxtapositions.
“REFLECTION” (2022) by Lech Bator. Oil on canvas, 60 × 80 cm, with a decorative frame integral to the concept. Pop-culture symbolism, comic & graffiti accents, surreal juxtapositions.
“Barcelona” (2018) by Krzysztof Ludwin. Acrylic on canvas, size 120 × 100 cm. A cityscape capturing Mediterranean light and color.
“Skyscrapers of the World” (2018) by Krzysztof Ludwin. Acrylic on canvas, 120 × 100 cm. An expressive cityscape of light, reflection and vertical rhythm.
“Krakry” by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. A cool-toned abstraction with textured “cracks” and a soft yellow light band.
“Polish Pantone II” (2024) by Izabela Siemiątkowska. Oil on canvas with wax paste. Cool-toned minimalist abstraction with vertical bands, delicate abrasions and a luminous horizontal line.
“Polish Pantone – Summer Edition” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Cool, luminous abstraction: soft vertical veils, a horizontal light threshold and deep, sea-like tones below.
“The Voyeur” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste. Split scene: a cool blue exterior silhouette versus a warm orange interior profile—cinematic play of gaze and light.
“Circles VI” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Cool greys and muted blues form concentric arcs with tiny figures scattered like specks on ice.
“Circles V” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. An aerial, arena-like field: dark architectural top, a gridded light plane with tiny figures, and a lone silhouette in cool blues below.
“Circles VII” (2025) by Izabela Siemiątkowska. Oil on canvas with wax paste, 150 × 100 cm. Nocturnal, aerial composition: a black hemispheric mass bordered by a pale ring with tiny scale markers.