Skowronscy Art Gallery

“Zakopianka” (2021) by Paulina Katarzyna Zielska. Oil on canvas, 90 × 90 cm. A dusk cityscape: an empty road leading into the sunset, a flame neon on the right, soft pink–orange–blue hues contrasted with dark tree and sign silhouettes.

“There, through the Sandy Hills” (2024) by Paulina Katarzyna Zielska. Oil on canvas, 40 × 30 cm. A small contemplative landscape in pinks and violets; gentle textures and distant mountain contours.

“Act – The Fruit of Femininity” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic, oil, pastels, pencil), 100 × 170 cm. A contemporary nude as a statement on female energy—sensuality meets agency.

“Nude, Woman and the Sun” (2024) by Malina Wieczorek. Mixed media on canvas (acrylic, oil, pastel, pencil), 120 × 130 cm. A contemporary nude as a carrier of emotion and spirituality—body reduced to sign and form.

“Lady Atom” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies, with a unique colour scheme, depicting a woman in a long dress in a futuristic, biotech-driven world.

“Lady Atom” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies and features a unique colour scheme, depicting a woman in a long dress in a futuristic, biotech world.

“Lady Sky” (2022) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. Each piece is produced in no more than 30 copies and features a unique colour scheme, depicting a beautiful, elegant and confident woman of extraterrestrial origin.

“Old Lady” (2024) by Roland Kościółek is a glazed ceramic sculpture whose form is inspired by ancient Egyptian art. A unique colour scheme and free interpretation of the theme make it a distinctive contemporary collector’s piece.

“Poison Lady” (2024) by Roland Kościółek is a glazed ceramic sculpture from the limited Lady series. It portrays an apparently delicate and elegant woman who hides a dark secret – you can get to know her, but never fully reveal it.

“Last Parrot” (2024) by Roland Kościółek is a glazed ceramic sculpture depicting a macaw parrot with an accentuated skull motif. Part of a series of animal sculptures, it blends animal portraiture with a symbolic reflection on mortality.

“Dialogi 109 vs 109” (2023) by Andrzej Ciołek – oil on canvas, 85 × 95 cm. A symbolic call to dialogue despite human differences.

“Blue Monday” by Agata Strzemecka – acrylic on canvas (76×102 cm, 2022). A reflection on mass culture, psychology, and the contradictions of everyday life.

“Aurora” (2022) by Matylda Burszta. Mixed media—collage and oil on canvas, 90 × 120 cm. A romantic, cinematic portrait of a woman—elusive like the aurora; layered surface, chromatic glows and flickers of light.

“Shade of polo” by Agata Strzemecka – acrylic on canvas (90×60 cm, 2024). A minimalist depiction of a rider on horseback, defined by light and shadow.

“Grey Composition” (2024) by Roman Goss is an abstract oil painting on canvas dominated by a muted grey-blue background. Bright accents of yellow, white, black, brown and light green appear in bold, textured colour blocks, creating a layered, almost architectural composition.

“Composition 17” (2024) by Roman Goss is an abstract oil painting on canvas built from horizontal and vertical colour blocks. A warm, earthy palette of browns, beiges, yellows, whites and light greens, combined with rich texture, creates a strong sense of depth, light and structure.

“Moon Garden” (2020) by Przemysław Tyszkiewicz. Etching & aquatint, 40 × 53 cm (portrait). An oneiric scene where hyper-detailed roses emerge from darkness; symbolism and chiaroscuro shape a quiet unease.

“Heart of Wrocław” (2016) by Przemysław Tyszkiewicz. Etching & aquatint, 49 × 60 cm (portrait). A monochrome anatomical heart filled with Wrocław’s architecture; exquisite chiaroscuro and meticulous line work evoke a dreamlike city-portrait.

“Fatum” (1999) by Przemysław Tyszkiewicz. Monochrome etching, 50 × 50 cm (square). A nude female figure set within a surreal landscape of hybrid creatures and flora; sun/circular border evokes fate and life’s cycles.

“Seven of My Ribs” (2011) by Przemysław Tyszkiewicz. Monochrome etching, 50 × 50 cm (square). A enthroned male figure encircled by mythic creatures (birds, fish) and flora; star-like layout, deep chiaroscuro, layered symbolism.

“Cornflower Moon of the Frost Fields” (2011) by Przemysław Tyszkiewicz. Etching & aquatint, 94 × 67 cm (landscape). A oneiric scene with a winged pig, levitating animals and a monumental bull; exquisite chiaroscuro and layered symbolism.

“Flowers of the Night” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). Three glowing blossoms under a crescent moon; exquisite chiaroscuro, meticulous detail and dreamlike symbolism.

“At Dawn the Black Ocean Bloomed” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A dreamlike dawn tableau: glowing flowers, a ship entwined with vegetation, a dragon and a bridge/fortress silhouette; refined chiaroscuro and layered symbolism.

“Statics of the Depths” (2004) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A sofa suspended in darkness, a hovering hummingbird, and twisting tower-like columns—refined chiaroscuro, precise line and dreamlike symbolism.