Skowronscy Art Gallery

“What Was, Was Not” (2022) by Beata Walczak is an acrylic painting on canvas showing a couple embracing in a lush, storybook forest filled with patterned leaves and pink fruit. Vivid greens and the poetic title evoke memory, tenderness and the fleeting nature of time.

“Roots of the Secret” (2025) by Beata Walczak is an acrylic painting on canvas showing two young women hidden among lush plants, one whispering into the other’s ear. The split composition – above and below ground – suggests that every secret has deep roots, invisible yet very much alive.

“Silence” (2023) by Beata Walczak is an acrylic painting on canvas showing a pensive woman in a purple sweater emerging from a dark, leafy landscape. A green branch hides part of her face, while distant white figures recede into the background, evoking a poetic reflection on quietness, memory and inner emotions.

“Head” (2025) by Roch Krysa is an acrylic on canvas (50 × 60 × 4 cm). A warm-toned expressive portrait combining impressionism, figurative painting and surrealism.

“Scream” (2025) by Roch Krysa is an acrylic on canvas (50 × 60 × 4 cm). A dramatic contemporary portrait emerging from shadow, balancing figurative expression and surreal tension.

“Torch” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). A warm-toned figurative composition exploring light, movement and emotional expression.

“Mother” (2025) by Małgorzata Klejna-Sobczak is a minimalist Japanese pen drawing defined by a refined, calligraphic line. The delicate composition evokes intimacy and emotional depth, presenting motherhood through contemporary minimalist aesthetics.

“Resting” (2025) by Małgorzata Klejna-Sobczak is a refined minimalist drawing created with a Japanese pen. A single fluid line defines a calm feminine silhouette, combining elegance, balance and contemporary figurative aesthetics.

“Portrait” (2025) by Małgorzata Kleyna-Sobczak is a refined minimalist drawing created with a Japanese pen. A delicate line shapes a calm facial study, combining elegance with contemporary figurative aesthetics.

“ACT 2026, From the Madonnas Series, PART OF LIGHT NO.1” by Malina Wieczorek is an intimate painting in which a barely outlined female torso becomes a symbol of life, origin, and care. Delicate contour, linen texture, and dark organic clusters create a meditative and deeply symbolic atmosphere. Acrylic and oil on canvas, 50 × 50 cm, 2026.

“ACT 2026, From the Madonnas Series, PART OF LIGHT NO.2” by Malina Wieczorek is a subtle composition where a delicate female torso outline and an organic centre create an atmosphere of intimacy, stillness, and inner light. Acrylic and oil on canvas – a meditative work with strong collector appeal.

Painting “Cage” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). The surreal portrait shows a human figure emerging from a red mist, enclosed within a geometric cage-like structure.

“Face of War” (2025) by Roch Krysa is an acrylic painting on canvas (72 × 102 × 4 cm). The expressive portrait merges realism and surrealism, presenting a red, fragmented face as an allegory of conflict and psychological tension.

“War” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). This allegorical portrait blends surrealism with expressive color, presenting the human face as a symbol of tension and transformation.

“Statue 3” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). The figurative male nude emerges through abstract painterly structures, defined by warm, intense colors and expressive gestures.

“Statue” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). The figurative male nude emerges from deep shadow, balancing realism with surreal abstraction.

“Statue 3” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). A figurative male nude emerges from an impressionistic abstract background, blending realism, figurative painting and surreal expression.

“Frenzy” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). A grotesque human portrait rendered in earthy green-orange tones merges realism with surreal deformation.

“Fire” (2025) by Roch Krysa is an acrylic on canvas (72 × 102 × 4 cm). An expressive portrait rendered in warm luminous tones merges expressionism, figurative painting and surreal abstraction.

“Dialogi 109 vs 109” (2023) by Andrzej Ciołek – oil on canvas, 85 × 95 cm. A symbolic call to dialogue despite human differences.

“Unholy” (2023) – hand-painted oil on canvas enhanced with metal leaf and cotton rope. Figurative work with a central human figure. Size 130 × 130 cm.

“Balloon XXXIX” (2023) by Amonaria Magda Maciaszek – installation on four plexiglass panels, depicting a balloon in shades of pink, white and cobalt. From the series “Autotelicity of the Road”.

“Tłumy V” (2023) by Andrzej Ciołek – oil on linen-cotton canvas. A symbolic interpretation of contemporary man caught between the “walls of everyday life”.

Painting “Crowds III” (2023) by Andrzej Ciołek – oil on linen-cotton canvas, unframed. A symbolic walk across a red footbridge above rooftops, between the “walls of everyday life”.

“Crowds II” (2023) by Andrzej Ciołek – oil on linen-cotton canvas, unframed. A symbolic rooster-siren as a metaphor of modern man caught between the “walls of everyday life”.

“Moose” (2022) by Magda Maciaszek – acrylic on canvas, figurative work in browns, white and gold. From the “Dichotomy of Personality” series.

“Flaming VIII” (2020) by Magda Maciaszek – acrylic on canvas 120×80 cm, a subtle figurative work with abstract elements, in shades of pink and grey.

“Squirrel” (2022) by Magda Maciaszek (Amonaria). Acrylic on canvas, 120 × 80 cm. Split composition with the titular animal; differing paint handling on each side. Palette of russet, brown, grey, white and gold accents.

“Balloon XVII” (2020) by Magda Maciaszek (Amonaria). Acrylic on canvas, 90 × 90 cm. Expressive piece at the edge of abstraction and figuration; vivid reds, oranges, greens and blues. Painted edges, matte varnish finish.

“In between” (2022) by Matylda Burszta. Mixed media on linen (oil + embroidered elements), 80 × 60 cm. Minimalist portrait on black; a tightly embroidered face emerges from the surface, balancing presence and unease.

“No name Blue” (2023) by Mira Pürschel. Mixed media / acrylic + varnish on 3D canvas, 120 × 100 cm. Minimal monochrome in Parisian blue; layered surface with refined sheen.

“No name Black” (2023) by Mira Pürschel. Mixed media / acrylic on 3D canvas, 120 × 100 cm. Minimal black monochrome with layered, tactile texture and spatial depth.

“HER EYES” (2023) lamp–sculpture in recycled paper + cement, finished with acrylics and varnish. Fragmentary human figure with intentional cracks. Metal base. 30 × 20 × 56 cm.

“Vacant Space” (2021) by Beata Walczak is an acrylic painting on canvas showing a couple standing back to back on either side of a blue tree, each holding a pear. Cool blues and greys, birch trees and a symbolic eye-heart motif above them evoke emotional distance, absence and the echo of a relationship that once filled this place.

Painting “Walk” (2023) by Joanna Czajkowska is an oil on linen canvas (110 × 90 cm). This figurative work combines magical realism and surrealism, portraying the human form as a poetic symbol of introspection and motion.

“Migraine” (2023) by Anna Rendecka – a triptych of expressive abstract works created in mixed media on paper. A powerful visual narrative about pain, sensitivity and the transformation of emotion into color and form.