Artworks - Orginal For Sale
Painting “W drodze II” (2021) by Aneta & Filip Gębscy – MIRAGES technique combining photography and drawing. Minimalist art inspired by human observation, exhibited at the 28th International Poster Biennale.
Painting “W drodze I” (2023) by Aneta & Filip Gębscy – unique MIRAGES technique combining photography and drawing. Minimalist work inspired by human observation, exhibited at the 28th International Poster Biennale.
Painting “W drodze III” (2021) by Aneta & Filip Gębscy – MIRAGES technique combining photography and drawing. Minimalist work inspired by human observation, exhibited at the 28th International Poster Biennale.
Painting “Kurki” (2023) by Aneta and Filip Gębscy – unique MIRAGES technique combining photography and drawing. Minimalist work inspired by fauna and flora, exhibited at the 28th International Poster Biennale.
“Transition 2” (2020) by Andrzej Maląg – limited edition 3/20. Interference photo-graphic inspired by quantum mechanics, fine-art pigment print on archival paper.
“Fluctuations (QFV 2)” (2020) by Andrzej Maląg – limited edition 3/20. Interference photo-graphic inspired by quantum fluctuations, fine-art pigment print on archival paper.
“Dark Matter” (2022) by Andrzej Maląg – limited edition 3/20. Interference photo-graphic inspired by magical realism, pigment print on fine-art archival paper.
“Strings and Loops 1” (2022) by Andrzej Maląg – limited edition 3/20. Interference photo-graphic inspired by string theory and loop quantum gravity, pigment print on fine-art paper.
“Loops and Strings 3” (2022) by Andrzej Maląg – limited edition 3/20. Interference photo-graphic, fine-art pigment print on archival paper, 60×60 cm, signed and with certificate.
“Recombination” (2022) by Andrzej Maląg – limited edition 3/20, interference photo-graphic inspired by cosmology, pigment print on archival paper.
“Compression 3” (2022) by Andrzej Maląg – limited edition 3/20. Artist’s interference photo-graphic inspired by phase transitions; 12-pigment archival print, signed with certificate.
“Grey Harbour 2” (2020) by Andrzej Maląg – oil on HDF board, a romantic vision of a harbour bathed in misty light, framed in aluminium.
“Neolythic Biforium” (2023) by Andrzej Maląg – oil on HDF board, framed in aluminum, signed and with certificate of authenticity. A mystical journey through magical realism and surrealism.
“Crowds II” (2023) by Andrzej Ciołek – oil on linen-cotton canvas, unframed. A symbolic rooster-siren as a metaphor of modern man caught between the “walls of everyday life”.
Painting “Crowds III” (2023) by Andrzej Ciołek – oil on linen-cotton canvas, unframed. A symbolic walk across a red footbridge above rooftops, between the “walls of everyday life”.
“Dialogi 109 vs 109” (2023) by Andrzej Ciołek – oil on canvas, 85 × 95 cm. A symbolic call to dialogue despite human differences.
“Tłumy V” (2023) by Andrzej Ciołek – oil on linen-cotton canvas. A symbolic interpretation of contemporary man caught between the “walls of everyday life”.
“Balloon IX” (2020) by Magda Maciaszek – acrylic on canvas with copper leaf, 80 × 120 cm. From the series “Autotelic Road”. Matte varnish, painted edges, ready to hang.
“Live is only a splash I” (2018) by Magda Maciaszek – acrylic on canvas, tondo Ø80 cm, from the “Splash Woman” series. Abstract form, matte varnish, painted edges. Exhibited at “Genoa International Fine Art 2019”, Italy.
“Personality Dychotomy” (2021) by Magda Maciaszek – acrylic on canvas 120×80 cm, from the “Splash Woman” series. Abstract black and white composition, matte varnish, painted edges.
“She III” (2021) by Magda Maciaszek – acrylic on canvas 80×80 cm, from the “Splash Woman” series. Matte varnish, painted edges. Exhibited at Salon International d’art Contemporain, Carrousel du Louvre, Paris.
“Parrots III” (2021) by Magda Maciaszek – acrylic on canvas 180×200 cm, from the “Dichotomy of Personality” series. Matte varnish, painted edges.
“Balloon XIII” (2020) by Magda Maciaszek – acrylic on canvas 80×120 cm, in pink and yellow tones, from the “Autotelicity of the Road” series.
“Balloon XXXVIII” (2020) by Magda Maciaszek – acrylic on canvas 120×80 cm, in shades of blue, from the “Autotelicity of the Road” series.
“Flaming VIII” (2020) by Magda Maciaszek – acrylic on canvas 120×80 cm, a subtle figurative work with abstract elements, in shades of pink and grey.
“Owl II” (2021) by Magda Maciaszek – acrylic on canvas, 160×180 cm. A figurative work split by a golden line, balancing realism and expressive gesture. From the “Dichotomy of Personality” series.
“Parrots” (2022) by Magda Maciaszek – acrylic on canvas 120×120 cm, in black and white. A metaphor of human character, part of the “Dichotomy of Personality” cycle.
“Shape of a Woman IV” (2018) by Magda Maciaszek – acrylic on linen 113×113 cm, subtle abstraction inspired by female anatomy in blue and golden hues.
“Eagle I” (2021) by Magda Maciaszek – acrylic on canvas 90×90 cm, expressive composition in white, brown, and yellow tones, from the “Dichotomy of Personality” series.
“Blue Sigh 5” (2017) by Magda Maciaszek – acrylic on canvas 90×90 cm, abstract depiction of the female soul in shades of blue and grey.
“Moose” (2022) by Magda Maciaszek – acrylic on canvas, figurative work in browns, white and gold. From the “Dichotomy of Personality” series.
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“Bee” (2023) by Magda Maciaszek – acrylic on canvas, symbolic figurative work with gold accents. From the “Dichotomy of Personality” series.
“Balloon XXXIX” (2023) by Amonaria Magda Maciaszek – installation on four plexiglass panels, depicting a balloon in shades of pink, white and cobalt. From the series “Autotelicity of the Road”.
“Insect” (2023) by Magda Maciaszek – installation on four plexiglass panels, part of the “Dichotomy of Personality” series.
“Moth” (2023) by Amonaria Magda Maciaszek – acrylic on canvas, 120×120 cm. A figurative composition on black, the moth rendered in a dual manner between light and shadow. From the series “Personality Dichotomy”.
“Underwater World III”, 2022 – acrylic painting by Alicja Wysocka (120×70 cm). An abstract vision of marine flora and fauna, vibrant with colour and depth. Third work from the “Underwater World” series.