Artworks from the category Artworks

“At Dawn the Black Ocean Bloomed” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). A dreamlike dawn tableau: glowing flowers, a ship entwined with vegetation, a dragon and a bridge/fortress silhouette; refined chiaroscuro and layered symbolism.

“Flowers of the Night” (2002) by Przemysław Tyszkiewicz. Etching & aquatint on copper plate, printed on Zurkal cotton paper, 94 × 67 cm (landscape). Three glowing blossoms under a crescent moon; exquisite chiaroscuro, meticulous detail and dreamlike symbolism.

“Cornflower Moon of the Frost Fields” (2011) by Przemysław Tyszkiewicz. Etching & aquatint, 94 × 67 cm (landscape). A oneiric scene with a winged pig, levitating animals and a monumental bull; exquisite chiaroscuro and layered symbolism.

“Heart of Wrocław” (2016) by Przemysław Tyszkiewicz. Etching & aquatint, 49 × 60 cm (portrait). A monochrome anatomical heart filled with Wrocław’s architecture; exquisite chiaroscuro and meticulous line work evoke a dreamlike city-portrait.

“Moon Garden” (2020) by Przemysław Tyszkiewicz. Etching & aquatint, 40 × 53 cm (portrait). An oneiric scene where hyper-detailed roses emerge from darkness; symbolism and chiaroscuro shape a quiet unease.

“Lake Płaskie” (2024) by Piotr Trusik. Oil on canvas, 21 × 30 cm (portrait). An intimate painterly note of nature from the Jerzwałd Plein Air 2024—holding light, water and time in a fleeting study.

“Keepsake” (2024) by Piotr Trusik. Oil on panel, 30.5 × 21 cm (landscape). A fleeting painterly note of nature from the Jerzwałd Plein Air 2024 — an attempt to hold light, time and the memory of seeing.

“Events” (2024) by Piotr Trusik. Oil on canvas, 30 × 40 cm (portrait). A painterly meditation on women’s freedom and bodily autonomy; dense, alien matter contrasts with a tender gaze to shape an ambiguous narrative.

“Found 2” (2024) by Piotr Trusik. Oil on canvas, 34.5 × 40.5 cm (portrait). A fleeting painterly note of nature from the Jerzwałd Plein Air 2024 — on the ephemerality of looking and the memory of place.

“Found 1” (2024) by Piotr Trusik. Oil on canvas, 30 × 24 cm (landscape). A fleeting painterly note of nature from Jerzwałd Plein Air 2024 — on the ephemerality of looking and the memory of place.

“Between 4” (2024) by Piotr Trusik. Oil on canvas, artist’s technique, 145 × 115 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Between 3” (2024) by Piotr Trusik. Oil on canvas, artist’s technique, 145 × 115 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Between 2” (2024) by Piotr Trusik. Oil on canvas, 40 × 34 cm (landscape). A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion. Shown at the solo show “Between”, Ujazdowski Castle CCA (22 Feb–24 Mar 2024).

“Between 1” (2024) by Piotr Trusik. Oil on canvas, 35 × 35 cm. A liminal composition suspended between the visible and the felt; a human silhouette negotiates space, memory and emotion.

“Hypnos” (2022) from the Myths & Legends series by Piotr Piecko. Mixed media (oil, acrylic, gold leaf) on canvas, 80 × 100 cm (landscape). A contemporary portrait of Hypnos, the Greek god of sleep. Signed LR; American Box frame.

“Aphrodite” (2022) from the Myths & Legends series by Piotr Piecko. Mixed media (oil, acrylic, gold leaf) on canvas, 150 × 100 cm. A contemporary portrait of the goddess of love and beauty, with luminous gold accents. Signed LR (Polish: LL on the front).

“Icarus” (2023) from the Myths & Legends series by Piotr Piecko. Mixed media (acrylic, gold leaf) on canvas, 115 × 75 cm. A contemporary take on the Icarus myth—solar radiance in gold leaf set against the drama of hubris and fall. Signed LR; American Box frame.

“Apollo” (2023) from the Myths & Legends series by Piotr Piecko. Mixed media (acrylic, gold leaf) on canvas, 100 × 70 cm. A contemporary portrait of Apollo—god of light, arts and poetry—merging classical iconography with modern materiality. Signed LR; American Box frame.

“Awakening” (2022) by Piotr Horodyński. Oil on canvas, 100 × 120 cm. A surreal / magical-realist composition with a central female figure and symbolic forms; created for the exhibition “WOMAN – in memory of Anna Bilińska” (Jacek Malczewski Museum, Radom, 2022).

“Towards Freedom” (2015) by Piotr Horodyński. Oil on canvas, 100 × 92 cm. A surreal / magical-realist narrative about choice, motion and renewal; muted palette, nuanced chiaroscuro, contemplative tone.

“Awaiting” (2022) by Piotr Horodyński. Oil on canvas, 100 × 81 cm. Surreal-fantastical scene of ruins as traces of time and light as a promise of renewal; contemplative mood, nuanced chiaroscuro.

“SILENCE IS POETRY” (2022) by Piotr Horodyński. Oil on canvas, 100 × 120 cm. A surreal / magical-realist scene where a chess game becomes a metaphor for life choices; nuanced chiaroscuro and restrained cool palette invite contemplation.

“Vastness of Silence” (2025) by Piotr Horodyński. Oil on canvas, 61 × 50 cm. A fantastical, surreal atmosphere in muted blues and navies evoking ice, arctic space and an evening sky; intimate, contemplative mood.

“2nd Avenue” (2019) by Paulina Taranek. Acrylic & oil on canvas, 100 × 80 cm. A black-and-white cityscape on the edge of figuration and abstraction; linear rhythm and stark contrast evoke metropolitan motion. Signed “P.Taranek” (LR) + full name on verso (LR).

“1rst Avenue” (2019) by Paulina Taranek. Acrylic on canvas, 80 × 60 cm. Black-and-white cityscape: a boulevard between skyscrapers rendered with minimalist lines and textures. Signed “P.Taranek” (LR) + full name on verso (LR).

“Uwaga, to nie chmury” (2021) by Paulina Taranek. Acrylic on canvas, 100 × 80 cm. Street-art-inflected cityscape with the Palace of Culture and Science as the focal point; warm–cool contrasts shape the architecture. Signed “P.Taranek” (LR) + full name on verso (LL).

“Blues” (2021) by Paulina Taranek. Oil on canvas, 120 × 120 cm. Urban panorama from the Cityscapes series in deep blues and blacks; dynamic architectural lines, nocturnal mood. Signed “P.Taranek” (LL) + signed on verso.

“There, through the Sandy Hills” (2024) by Paulina Katarzyna Zielska. Oil on canvas, 40 × 30 cm. A small contemplative landscape in pinks and violets; gentle textures and distant mountain contours.

“Ciepło cieplej” (2021) by Paulina Katarzyna Zielska. Oil on canvas, 90 × 90 cm. A warm-hued landscape at sunset: a road leading toward the mountains, rolling hills and fiery light shaping the terrain.

“Zakopianka” (2021) by Paulina Katarzyna Zielska. Oil on canvas, 90 × 90 cm. A dusk cityscape: an empty road leading into the sunset, a flame neon on the right, soft pink–orange–blue hues contrasted with dark tree and sign silhouettes.

“Golden Circle” (2021) by Monika Wałęga. Acrylic on canvas / mixed media with gold accents, 100 × 100 cm. A central gold circle with light-responsive metallic sheen; the work changes with daylight. Signed on verso.

“Inferno” (2023) by Mira Pürschel. Acrylic on canvas, 100 × 100 cm. Conceptual, expressive abstraction—fiery chroma and sculpted texture lead through a labyrinth of emotion.

“No name Ochra” (2023) by Mira Pürschel. Mixed media / acrylic on canvas, 120 × 100 cm. Minimal monochrome in ochre hues; edges painted, signed on side and verso, certificate of authenticity included.

“Retrogradation 02” (2022) by Mira Pürschel. Acrylic on canvas, 140 × 100 cm. Minimal abstract study of planetary retrograde motion; stark black–ochre contrast, clear structure, signed front and verso.

“No name Red” (2023) by Mira Pürschel. Mixed media / acrylic on canvas (palette knife), 120 × 100 cm. Minimalist composition dominated by an intense red; layered texture and strong emotional charge.

“Future Past” (2021) by Matylda Burszta. Mixed media on linen canvas (oil, collage from recycled materials, photography, embroidery), 120 × 90 cm. Two simplified figures filled with collage—where figuration meets experiment and memory.